Ok i hope this works, the etude is playd twice once from the middle and the second time from the begining to the end.

  ( Please avoid listining to this Etude its dreadfull , thanks )

There's a buzz on there that makes listening to your playing difficult... also, sounds like the mic is a bit hot.

          I cant notice any buzz,so i gess it just me playing the piano badly,o well. What do you mean by the mic is hot i used a camcorda.Anyway thanks for telling me.

Yeah thanks guy for pointing out the mathamatical errors i have made with this etude, am having to color those bars with my green pen to remind not to repeat that mistake.

There's a buzz on there that makes listening to your playing difficult... also, sounds like the mic is a bit hot.

I agree. However, besides that (and I'm not saying I can play it correctly) could it be a little faster? There are some wrong notes, but I think you know that already. Another thing I noticed was (and this could be the recording equipment again) that in some places you emphasize the melody a little aggressively.

Hi Zheer,

This study is such a nice piece, but very difficult to play. I play this one since a few years but still it's hard to get it right.

First thing is really to learn it well. I heared lots of wrong chords on the wrong moments.

You play some measures longer than they should be: 5 quarters instead of 4 in the 1st, 4th and 9th measure).

At some places the bass note comes much earlier than the melody note.

If performing, concentrate on the melody, make sure it's right. The inner notes are less important. Take your time to hit the high notes.

Follow carefully what's written. Don't play forte where it says pp. And follow the phrasing of the melody by the arches. The arches start at the last quarter of the preceding measure.

The inner voice in measures 17-20 is beatiful, but a bit too loud. Make it a bit more subtle counter-voice.

I agree with Theresa that this etude is more difficult than its 'easy' reputation. Well, I've learned about 7 chopin studies, but this one's the hardest to get it just like how I want it to be.  There are several chords that are extremely difficult to play at that speed. It should be played in such a subtle way despite all the big leaps.

Keep practising each chord and measure, with a metronome untill it goes fluently. Good thing to study without the pedal to hear if left and right hand are even.

Hi Zheer,

This study is such a nice piece, but very difficult to play. I play this one since a few years but still it's hard to get it right.

First thing is really to learn it well. I heared lots of wrong chords on the wrong moments.

You play some measures longer than they should be: 5 quarters instead of 4 in the 1st, 4th and 9th measure).

At some places the bass note comes much earlier than the melody note.

If performing, concentrate on the melody, make sure it's right. The inner notes are less important. Take your time to hit the high notes.

Follow carefully what's written. Don't play forte where it says pp. And follow the phrasing of the melody by the arches. The arches start at the last quarter of the preceding measure.

The inner voice in measures 17-20 is beatiful, but a bit too loud. Make it a bit more subtle counter-voice.

I agree with Theresa that this etude is more difficult than its 'easy' reputation. Well, I've learned about 7 chopin studies, but this one's the hardest to get it just like how I want it to be.  There are several chords that are extremely difficult to play at that speed. It should be played in such a subtle way despite all the big leaps.

Keep practising each chord and measure, with a metronome untill it goes fluently. Good thing to study without the pedal to hear if left and right hand are even.

I agree... however, some of the dynamic errors may in fact be more related to the gain on the mic being too hot, ,and not so much the way they were played.  I don't know, but a more accurate recording would be necessary for a more accurate criticism.

 However i do play what is not written and that is ridiculous.

Hey, have you ever considered becoming a composer?   

Teresa

zheer,

I hope you don't think I was making fun OF you.  I was joking WITH you.  All in good humor.  Maybe you should seriously be a composer!

All the best, Teresa

Dear zheer,

Rest assured, your playing is very good, and you should definitely keep it up.  I said that about composing because you said you sometimes played what was not written,  and then you mentioned your teacher gave you a good grade on your composition. 

I was absolutely NOT criticizing your playing by suggesting you compose!  Please forgive me, perhaps my original attempt at humor was poor.

Teresa