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Topic: Stravinsky : Petrouchka  (Read 1673 times)

Offline rohansahai

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Stravinsky : Petrouchka
on: December 15, 2005, 11:15:08 AM
I've played some chopin etudes (revolutionary, double thirds), liszt etudes (paganini no. 2, TE 10) , rhapsodies #6 and 2...but how the hell do you play THIS ?? This seems harder than rach 3 and all ! I sat with the score for hours trying out the wicked tremolos in the last movement (and there are hordes of as difficult passages) ..and have no idea where to BEGIN !!! Anyone who has played this, please describe exactly how and where you began ...and do you leave out notes to make it more manageable. The original just looks impossible !!!

P.S. It is dedicated to Arthur Rubinstein ....DID HE PLAY IT ???
Waste of time -- do not read signatures.

Offline kreso

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Re: Stravinsky : Petrouchka
Reply #1 on: December 15, 2005, 10:00:19 PM
I think he played that, but I'm not 100% sure. But it wasn't probably one of his favourites stuff (it is really tecnicaly very difficult) so he didn't played so often Petrouchka

You can check that in his second autobiography (I forgot the book's name..)

Offline maxy

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Re: Stravinsky : Petrouchka
Reply #2 on: December 15, 2005, 10:46:43 PM
It's not that hard to learn. It's almost all white keys.  It's just hard to play.  Step one: find fingerings.  If you don't have the hands for it, removing notes may be a necessity.  All tricks you may find is fair game.  I know there is a part in 3rd mvt where playing stuff meant for LH with RH instead can help a lot.  I recommend to forget about the notes between ().  Hard enough without.

Offline rohansahai

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Re: Stravinsky : Petrouchka
Reply #3 on: December 16, 2005, 01:23:48 AM
..... second autobiography (I forgot the book's name..)
My MANY Years.
Waste of time -- do not read signatures.
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Remembering the great Maurizio Pollini

Legendary pianist Maurizio Pollini defined modern piano playing through a combination of virtuosity of the highest degree, a complete sense of musical purpose and commitment that works in complete control of the virtuosity. His passing was announced by Milan’s La Scala opera house on March 23. Read more
 

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