Haha, yeah, but explaining the 7th's can require addition theoretical knowledge. I remember as a kid, asking my guitar teacher 'why does a C7 have a minor 7 interval, when it is not a minor chord?'
You'd be surprised how many guitar teachers cannot supply a satisfactory answer to that question. I had one guy trying to tell me that C7 was a C major 7, and that a dominant 7 was a major / minor 7, lol.
But to make it as simple as possible:
The letter gives the tonality of the chord.
Following numbers usually refer to the last interval beyond the basic triad. So, if you had a Cm9, chances are the chord would also contain minor 7. Sometimes a dash (/) is given when the chord is voiced as an inversion (C/E for example).
The #5 etc describes altered chords. The fifth is usually natural, so the #5 is given to info that the fifth is augmented.
Basically, it is about giving the least amount of info to describe how to play the chord. Numbers are only given if they depart from the norm. So for instance, a C7 #9 tells you that its C dominant 7 with the addition of augmented 9th. Whereas a C#9 would refer to a C# trial with the addition of a dom 7 and 9.
See what I mean? With the C7 #9, it was important to add the C7 as this is the basic chord, minus the addition of the altered ninth.
Whereas a basic C dominant 7 and 9 would just be written C9.
Complicated I know, and Im probably not explaining it the best way.
