I had an excellent adjudication the other day, and performed Bach's Prelude and Fugue in C# major. The adjudicator mentioned that one of the 'secrets' of Glenn Gould's playing is that he never pounds out the entire subject. He accents the entrances of the theme to help focus the listener's ear, and then backs off. His other voices are also extremely well developed and interesting.It was quite the epiphany for me! He also mentioned stuff about Ravel and playing french music in general.
Glenn is just one of the greatest musical geniuses of the twentieth century.
What did he mention about Ravel? And what did you play?
I played Jeaux d'Eau, and had been using the Abby Simon recording to help get interpretation ideas. He totally shot that down! He said that Ravel HATED to be interpreted, and what he put down on the page, he meant. He absolutely despised rubato, and wanted "rhythmic rigor"--not just accuracy, RIGOR. It was a very interesting adjudication. I guess the theory behind composers like Ravel is that they thought that if you took something beautiful (like their music) and added rubato and sappy interpretations, it would make it too saccharine. It was very interesting, and I'm having fun playing with his suggestions!
This guy may be a troll, but his statement is right: Glenn Gould was a genius. You can like him, hate him but you have to aknowledge him.