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Topic: Theory Questions Thread :)  (Read 1688 times)

Offline m1469

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Theory Questions Thread :)
on: March 01, 2006, 03:48:44 AM
What is this chord ?  And how does it function in the key of C minor ?


   F#
Eb
C
Ab

It sounds like (when played alone), and on the piano looks like, an Ab dom 7th chord in root position -- with Gb spelled enharmonically as F# -- but on paper it is written how I wrote it above; like a 7th chord in 1st inversion whose root would be F# ??



Thanks :)

m1469 Fox




ps-  It's from the theme in Beethoven's 32 variations in c minor
 


"The greatest thing in this world is not so much where we are, but in what direction we are moving"  ~Oliver Wendell Holmes

Offline phil13

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Re: Mayla's Theory Questions Thread :)
Reply #1 on: March 01, 2006, 04:23:22 AM
It is an Ab seventh chord, spelled that way because of the key signature.

In C minor, the dominant is G, so it occurs in the music as often as C (this is in basic stuff, not harmonic ventures and the like)

Composers want to keep that note natural (common practice, I guess) so they write a chord with Gb in it as an F#

Alternative: the Ab7 chord could lead to G7, in which case the same principles apply: namely, saving accidentals from being used too much.

Hope that helps clear it up.

Phil

Offline m1469

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Re: Mayla's Theory Questions Thread :)
Reply #2 on: March 01, 2006, 04:44:54 AM
Yes, thank you, that does help quite a bit.  I am supposing that there are other key signatures that have a similar problem, yes ?  Or is C minor the only one ?

The only part I didn't really understand was this here :


Alternative: the Ab7 chord could lead to G7, in which case the same principles apply: namely, saving accidentals from being used too much.

Why could Ab7 lead to G7 ?  Do you mean that this is an alternative to the C minor chord that it does go to in the theme ?  I think that's interesting because they double the 5th (G), so maybe that has something to do with it ?


Thanks,
m1469
"The greatest thing in this world is not so much where we are, but in what direction we are moving"  ~Oliver Wendell Holmes

Offline BoliverAllmon

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Re: Mayla's Theory Questions Thread :)
Reply #3 on: March 01, 2006, 08:50:29 PM
German +6 chord. beautiful chord.

Offline Tash

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Re: Mayla's Theory Questions Thread :)
Reply #4 on: March 01, 2006, 10:04:38 PM
yeah i'd say it's a german 6th hence the whole enharmonic thing, that's just how you write them (if i remember correctly)
'J'aime presque autant les images que la musique' Debussy

Offline BoliverAllmon

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Re: Mayla's Theory Questions Thread :)
Reply #5 on: March 01, 2006, 11:08:11 PM
yeah i'd say it's a german 6th hence the whole enharmonic thing, that's just how you write them (if i remember correctly)

yep,

german = bVI + #4 scale degree
Italian = b6, tonic, and #4
French= b6, tonic, second, and #4
Swedish =#2, #4, b6, and tonic

all lovely chords.

Offline mikey6

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Re: Mayla's Theory Questions Thread :)
Reply #6 on: March 02, 2006, 12:22:43 AM
don't forget the Neapolitan 6th - built on the b2nd (another secondary dominant chord) with b natural (in c)

Swedish =#2, #4, b6, and tonic

all lovely chords.

swedish or swiss? I remember reading there's a swiss 6th - maybe I miss-read.
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Offline Bob

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Re: Mayla's Theory Questions Thread :)
Reply #7 on: March 02, 2006, 01:18:15 AM
I guess we know the following chord is G?

https://www.utexas.edu/courses/mus612b/fmain/fdocs/notes/augsixth.html

It's even got an example with the exact same notes.
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline westley

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Re: Mayla's Theory Questions Thread :)
Reply #8 on: March 02, 2006, 04:20:59 AM
Note that the "Swiss" and "German" sixths are exactly the same chord, spelled differently.

The Swiss generally occurs in major keys (with the #2 resolving up) and the German in minor (The third remains).

Offline Tash

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Re: Mayla's Theory Questions Thread :)
Reply #9 on: March 02, 2006, 05:01:23 AM
oooh i didn't know there was a swiss!! that's exciting i can add that to my brain now
'J'aime presque autant les images que la musique' Debussy

Offline m1469

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Re: Theory Questions Thread :)
Reply #10 on: March 02, 2006, 06:12:04 AM
Is this chord I am asking about a German 6th chord ?
 

I can't tell if people are answering my initial question or flying off on some tangent....


m1469
"The greatest thing in this world is not so much where we are, but in what direction we are moving"  ~Oliver Wendell Holmes

Offline zheer

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Re: Mayla's Theory Questions Thread :)
Reply #11 on: March 02, 2006, 07:04:08 AM
yep,

german = bVI + #4 scale degree
Italian = b6, tonic, and #4
French= b6, tonic, second, and #4
Swedish =#2, #4, b6, and tonic

all lovely chords.

      :o


 I would say its, Aflat with a sharpend 6th. ( or augmented 6th )
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Offline pianistimo

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Re: Theory Questions Thread :)
Reply #12 on: March 02, 2006, 07:26:53 AM
you mean augmented (F#) fourth in c minor?  Ab C Eb F# = 6, 1, 3, #4 german 6th

why is there no irish 6th? maybe there's an irish 5th (of scotch).

Offline BoliverAllmon

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Re: Theory Questions Thread :)
Reply #13 on: March 02, 2006, 02:03:36 PM
yeah a swiss chord. I get the named mixed up. When I took theory, our teacher called it a sharp 2 German.

Yes m1469 the chord is a German +6 chord.
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