some of the notes in the beginning triplets are hidden, and it's perhaps too much rubato, it's classical, not romantic (I do the same thing *slaps hand*)
I'm being rally harsh, but are the triplets at times a little uneven and maybe a bit on the loud side when the melody should be soaring above the rest of the notes.
Good crescendo in the ascending/descending broken chords (bar 32-40), and nice heavy ponderous feel right after that when the melody moves to the bass clef. I personally find that at bar 67 unsing una corda and no sostenutu gives a really nice morendo feel to teh piece. bar 18 and bars like it make sure that in the D to C chord the D is really brought out (some of these things could because of the recording so sorry if it is

) I think of anything else to say other than good performance, moonlight is a tough piece, simply because it's so famous and everyone likes it a certain way, don't you think? I personally get dinged when I play moonlight which sucks because it's such an incredible piece!
Thanks for posting it!