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'pianistic rape'.. when to do it? and when not to?

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Topic: 'pianistic rape'.. when to do it? and when not to? (Read 2377 times)

stevie

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'pianistic rape'.. when to do it? and when not to?

on: March 21, 2006, 03:51:47 AM

https://alphatec2.neobee.net/music/kemal_japan_mp3s/1_scherzo_b_minor.mp3

from 8 50 he goes mildly insane, but more specifically at 9 08, listen to that, IT SOUNDS BETTER WHEN ITS RAPED LIKE THIS, who agrees?

some people say never rape, i believe in such cases, its advised, and i believe it was chopin's true intent.

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BoliverAllmon

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Re: 'pianistic rape'.. when to do it? and when not to?

Reply #1 on: March 21, 2006, 04:05:44 AM

I tend to think let it all hang out. there are plenty of pansy pianists out there.

boliver

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stevie

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Re: 'pianistic rape'.. when to do it? and when not to?

Reply #2 on: March 21, 2006, 04:39:58 AM

precizely

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rimv2

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Re: 'pianistic rape'.. when to do it? and when not to?

Reply #3 on: March 21, 2006, 05:41:35 AM

Tis tha true embodiment of dis sharedso. To many pienists hold back too often.

Release of in a bitchions with out fear or shame is the only way to acheive true pienistic mastery

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rimv2

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Posts: 798

Re: 'pianistic rape'.. when to do it? and when not to?

Reply #4 on: March 21, 2006, 05:44:29 AM

After further review, it is the opinion of moi, that this scherzo is entirely schizo

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henrah

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Re: 'pianistic rape'.. when to do it? and when not to?

Reply #5 on: March 21, 2006, 03:27:52 PM

I can't download it or hear it in any way

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Currently learning: Liszt- Consolation No.3 J.W.Hässler- Sonata No.6 in C, 2nd mvt Glière- No.10 from 12 Esquisses, Op.47 Saint-Saens- VII Aquarium Mozart- Fantasie KV397<br /

kriskicksass

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Re: 'pianistic rape'.. when to do it? and when not to?

Reply #6 on: March 21, 2006, 05:06:46 PM

Go ahead and give it all you've got. Just don't let your tone suffer. *doesn't listen to recording*

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demented cow

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Re: 'pianistic rape'.. when to do it? and when not to?

Reply #7 on: March 22, 2006, 11:02:44 AM

der is at leazt 2 wayz to play this piece:
a) One can play it in an objective, understated way, in order not to offend the creampuffs on grandma's tea table. I have not seen any evidence that the composer had this in mind.
b) One can construct a fitting paen to the composer's genius by summoning forth as much sonic fury as possible, with such brain-melting terminal prejudice that every living being within ten miles of the piano ends up spattered in gore and in need of psychiatric help.

Maybe the recording on the link defines a new way of playing it.
I can't judge this because the link is broken.

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