Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Repertoire
»
Question on Rachmaninoff Prelude 23/10
Print
Pages: [
1
]
Go Down
Topic: Question on Rachmaninoff Prelude 23/10
(Read 1098 times)
southpaw
Newbie
Posts: 13
Question on Rachmaninoff Prelude 23/10
on: April 19, 2006, 01:04:36 AM
I'm teaching myself Rachmaninoff op. 23/10 in G-flat, and I am confused about the notation.
I don't know how to paste the music into this message, so I will try to describe the passage carefully.
I am using the Kalmus Piano Series edition. In measure 51, in the right hand, the fourth eighth-note appears to be a g-natural, since the flat in the key signature was cancelled at the beginning of the measure. At the same time, the triplets in the left hand arrive at what appears to be g-
flat
, since the flat is
not
cancelled in the left hand.
I am wondering if it is supposed to be a g-flat in the right hand at that point. Musically, that would make more sense, because this passage is part of a descending progression, and there is an a-flat over a-flat in the parallel phrase in measure 49, then g-natural over g-natural in measure 50. As written, the g-natural over the g-flat just doesn't sound right.
Can anyone shed some light on this?
Logged
nicco
PS Silver Member
Sr. Member
Posts: 1191
Re: Question on Rachmaninoff Prelude 23/10
Reply #1 on: April 19, 2006, 07:30:19 AM
No its correct that in the right hand you have g natural and a g flat in the left. However they are not to be pressed at the same time, so it wont sound so strange. Another thing is the phrasing wich is slightly different from the other measures in this area, with 3 chords giving the melody, different from the other measures where there are 2. (Measure 55 also has the same phrasing, if you look at the first triplet in the right hand you will see, again, there is a g natural over a g flat, also not pressed at the same time)
good luck
Logged
"Without music, life would be a mistake." - Friedrich Nietzsche
Sign-up to post reply
Print
Pages: [
1
]
Go Up