You might want to read persona's thread here, entitled, Practising on an electric piano. Persona was really talking about an electronic, i.e., digital piano, so don't be misled about the "electric" in the thread title.If your Kawai has a weighted keyboard whose action mimics an acoustic piano's , the consensus there seems to be that practising on a digital is eminently satisfactory.
(snippet) I found the major problem for practicing in Digital Piano isI lost the feeling between the force and sound.
Thanks for that heads up, frederic.lu. The aspect of force and sound on my digital never occurred to me. So now, I'll keep that in mind when I practice and really hit the forte passages.By the way, did you find the soft pedal on the 270 to be very effective - even when ramped to max?
The Yamaha CLP-270 is the cheapest model bounded with half soft padel effect( CLP-230 and 250 don't have). It works fine for me. I play Chopin and need it on occasion. But I don't think it's continuesly like acoustic piano. But at least you can feel the difference while the padel pushed in half way.
Do you mean half damper pedal effect? If not, then please enlighten me... why would you need a half soft pedal effect? I can't think of any reason for it, unless you're trying to cover up a harsh tone.
Yes ! it's half damper pedal effect! It hard for me to describe why need it. But it seems to me that, it's not unusual. Otherwise Yamaha won't put it in their digital piano. Besides, for acoustic piano, you can try by yourself and feel the difference. I use it especially paly Chopin.
The reason I asked is because the damper and the soft (or una corda) pedals are completely different in function. Of course a half damper pedal is useful in playing, and I use it all the time... not only with Chopin. There's no use for a half soft pedal that I'm aware of, unless playing half a string becomes a functional necessity.