The question is like asking what feelings are implied by a major chord or a minor scale. Music is just abstract sound. We are at liberty to impose on it whatever subjective associations we choose. Therefore, it seems to me that the correct answer to your question is "whatever feelings you choose to express or register". The question also implies the necessary existence of an emotional component in the first place, which assumption, strictly speaking, is false. In other words, there exist ways of creating and listening other than the emotional.
At times there may appear to exist a commonality of response to a particular aural form. Upon closer inspection, however, most such phenomena seem ingrained by social traditions, musical training and habits of thought. What appears to be a profoundly moving melodic line to a Western ear may seem a trivial ditty to an Oriental one and vice-versa.