Thanks, very kind of you!
Well, Beethoven Tempest sonata:
2 Behringer ECM8000 omnidirectional microphones
ca 70cm between the mics, ca 2,5m above floor, ca 50cm from piano
Beethoven op2nr1:
2 ADK A51TL, multipattern microphones, set to cardioid
same distances as above
Bach inventions and Chopin mazurka:
2 Project G Ribbon microphones, fixed figure-of-eight
M/S-stereo, one on top of the other, ca 2m above floor, ca 30cm from piano
Piano is a Steinway O in a church, no effects added, this is simply how that piano sounds in that church with those mics placed at those positions. And of course, with me playing:-)
What are you using when recording?