u have amazing control and also very clean ornamentation. the piece has a thrill to it - but maybe it'll be toned down just a bit over the years. u'll see that as u get along - u can refine the dynamics down one or two notches (all of them). and, u can play even closer to the keys. sometimes the recording is to blame for the loudness (but there is a peak to sound that u can't go beyond - or u'll be fighting all kinds of waves - for lack of better word). how the fingers strike the keys is important. many people allow a bit of space between the finger and key - but it gives an extra sound in recordings (slack,whack) whereas if u are pretty much on the keys, there's even more natural weight in the hands, and ALL the energy goes into the piano.
if i understand my teacher correctly, the places where u have staccato would be a pushing away fromt he key instead of up/down/up. more like a trampoline, but starting on the note and it bounces u away. it takes some practice. not sure how my teacher would say it - but he likes to eliminate any sort of extraneous sound from recordings.
Topic: [VID]Bach Italian Concerto