With the exception of some obscure modern concerti, it was the hardest concerto I've done, and I'm left-handed.
With the exception of some obscure modern concerti, it was the hardest concerto I've done, and I'm left-handed.It's also one of the most beautiful.
Absolutely. It's my favorite concerto. Which would you say are the hardest parts, from a purely technical point of view?
the cadenza has a few confusing parts in it, but nothing in it is really "impossible". this concerto on the whole isnt that hard.
Why don't you try actually learning it and then come back and tell everyone how easy it was Hardest part is the Cadenza near the beginning, and the running, one-handed doublenotes; identical in technical requirement to some of Roslavet's passages that Hamelin whines about being tough. The pianist who Ravel wrote this for (a famous concert pianist who premiered quite a few major works) refused to play it because it was too difficult. Ian Pace, you know, that guy who plays complete Finnissy, thinks it's tough.
Ive only heard a movement on the radio (I think it was the last) but I thought it was repugnatly ugly.... Will listen to the whole thing soon.
Well, i am actually learning it, though not for a concert performance, which is why i don't plan to learn the final cadenza right now... I have been playing it for about a month, and have almost finished with the first solo... By the way, the first cadenza wasn't tough for me, though i do have quite a flexible left hand. And the running, one handed double notes you refer to, you're talking about the ones in the final cadenza, right?Where did you read that about Wittgenstein? He sightread it the first time he saw it (With some difficulty i suppose) and the only reason he didn't want to play at first was because he didn't like it. He did take to it after a while, and in the end it became one of his signature pieces.I quote from the Cambridge companion to Ravel:It always takes me a while to grow into a difficult work. I suppose Ravel was disappointed, and I was sorry, but i had never learned to pretend (To like a piece he didn't like) Only much later, after I'd studied it for months, did I become fascinated by it and realize what a great work it was. - Paul Wittgenstein
I think another pianist told me. I guess either I or he might have misunderstood, but I know 4sure Wittgenstein had trouble with it. I actually found the big solo at the beginning tougher than the Cadenza; dunno why. No, the doublenotes I was talking about aren't in either solo.
this concerto consists of only one movement actually. you were hearing the wrong concerto. if not, the dj was lying.
Ahh.. Thank you. Maybe I misheard or something.
Jre, could you post a recording? Here or on dasdc.
ok, here is krystian zimerman performing ravel's piano concerto for the left hand. pierre boulez is the conductor. this has to be my favorite recording of this piece.https://www.sendspace.com/file/gyk43n
I guess either I or he might have misunderstood, but I know 4sure Wittgenstein had trouble with it.
Could you reupload that?I'd really appreciate it!
sure, when i come back from texas. wow i have quite a list to upload.