HistoryA chromatic fantasia is a specific form of fantasia (or fantasy or fancy) originating in sixteenth century Europe. In its earliest form, it is based on a chromatically descending tetrachord which arises naturally out of the dorian mode. Consequently the chromatic fantasia is almost invariably in d-minor even as late as Bach.I guess it just refers to that kind of fantasia described above.
Wow thanks. Hmm. notice that Rachmaninoff's Third Concerto/Mazeppa are based on descending chord schemes and are in d minor...
I thought it was due to the chromatic nature of the fugue subject.
listen to the sorabji transcription of this... it will blow your mind TomOh, and i thought it was BWV 903???Tom