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Topic: What does the "chromatic" refer to in Bach's Chromatic Fugue and Fantasia BWV 90  (Read 1743 times)

Offline Bob

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Favorite new teacher quote -- "You found the only possible wrong answer."

Offline gonzalo

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History
A chromatic fantasia is a specific form of fantasia (or fantasy or fancy) originating in sixteenth century Europe. In its earliest form, it is based on a chromatically descending tetrachord which arises naturally out of the dorian mode. Consequently the chromatic fantasia is almost invariably in d-minor even as late as Bach.


I guess it just refers to that kind of fantasia described above.
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Offline dnephi

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History
A chromatic fantasia is a specific form of fantasia (or fantasy or fancy) originating in sixteenth century Europe. In its earliest form, it is based on a chromatically descending tetrachord which arises naturally out of the dorian mode. Consequently the chromatic fantasia is almost invariably in d-minor even as late as Bach.


I guess it just refers to that kind of fantasia described above.
Wow thanks.  Hmm.  notice that Rachmaninoff's Third Concerto/Mazeppa are based on descending chord schemes and are in d minor...  8)
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Offline minor9th

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I thought it was due to the chromatic nature of the fugue subject.

Offline Kassaa

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Wow thanks.  Hmm.  notice that Rachmaninoff's Third Concerto/Mazeppa are based on descending chord schemes and are in d minor...  8)
Liszt's Dante Sonata too!

Offline mike_lang

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I thought it was due to the chromatic nature of the fugue subject.

Yes, and how about the chromatic descent in the coda of the fantasy?

ML

Offline tompilk

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listen to the sorabji transcription of this... it will blow your mind :)
Tom


Oh, and i thought it was BWV 903???
Tom
Working on: Schubert - Piano Sonata D.664, Ravel - Sonatine, Ginastera - Danzas Argentinas

Offline minor9th

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listen to the sorabji transcription of this... it will blow your mind :)
Tom


Oh, and i thought it was BWV 903???
Tom

I wish he used the original fugue...
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