The only piece I have listened to by him is the Quartet for the End of Time. Half of it was great, half of it was awful, so I can't really give a balanced opinion.I'm also not too familiar with any of his piano works, either. Maybe you can supply?Phil
Definitely Messiaen is one of the major piano composers of the 20th century. His piano music is just as important as Bartok, Debussy, Scriabin, Prokofiev, Ligeti, whoever else, and also so unique. He wrote some early Preludes in a more Debussy-ish idiom before his wild experiments in piano sonority set in. I recommend Vingt Regards sur l'enfant Jesus, a two-hour piano suite that is often excerpted (unlike other mammoth piano cycles OFTEN DISCUSSED ON THIS FORUM not mentioning any names). The Catalogues d'oiseaux is a totally unique undertaking but more of an acquired taste. It is all indivdual pieces with a combination of bird song, painstakingly transcribed by Messiaen and then transposed to fit the intervals of a modern-tuned piano, and "atmosphere" music. Some of the pieces are very long, over 30 minutes. He also has groundbreaking Etudes for piano, 4 of them, which are worth looking into. The easiest to play is probably Ile de feu 1. There are many organ works, some two piano works (Visions de l'Amen was recorded by Martha Argerich and Alexander Rabinovitch), and some piano-concerto like pieces mentioned in the previous posts. Every orchestral piece of his I have heard has featured the piano in some way.Walter Ramsey
He's also the greatest organ composer since Reger, and has made an indispensable contribution to that literature.
Quote from: g_s_223 on July 02, 2006, 07:58:14 PMHe's also the greatest organ composer since Reger, and has made an indispensable contribution to that literature.That statement is almost certainly beyond any argument - though, sadly, by no means everyone has the breadth of vision to appreciate both!Best,Alistair