Okay, not the chromatic bit in the second part of bar 37. Can someone give me some fingerings? So far for the right hand I have, starting on the E, 1 2 4 2 3 then where it says Presto I go 5 4 3 2 1 3 2 1 4 3 2 1 4 3 2 1 2 3 then on the accented F# I be stuck. And the left hand I don't have anything so far. Anyone? Thanks.
In the right hand after I descend from the F# chromatically all they way down (just over an octave) to the E, then it has a short jump down to a B# and goes up to C#, D# then F#, where I use 1, 2, 3, and either (4 or 5?),
I could go F# 5, E# 4, E 3, D# 2, D 1, C# 2. Or should I go F# 4, E# 2, E 1, D# 3, D 2, C# 1? The first way is ackward because of the squishy 5 4 3 2 1 all in a row, and then I have to go up a 7th starting on the 2 which is doable, but also ackward.
then - when you reach the trill - start under tempo and work up on the trill using 3232...in the rh and 2323... in the lh. there's a definate break (my teacher has it marked there - right before the double C. it gives good effect not to pedal through that totally.
here's what i have for the complete run in the rh at measure 38: 54321 321 4321 4321235432 132 1432 1432 1235432 132 1432 1432 123543 123543 123543 1235432 12 1324354 da da (last two chords)lh run: 1234 123 13 123 13 1432 1234 123 13 123 13 1432 1234 123 13 123 13 1432 12 1432 12 1432 12 1432 12 123453423 12
Back in measure 29 you mentioned some fingerings for the left hand bit right before the trill. They seem better than what I have, but you only listed the last 7 of them - 5421245, which I'm presuming starts on the Bb. What do you use on the four notes before that? All together I had planned on using, 521321212313, but I don't like the noodlely part an the end because I'm not sure it's going to work at speed.
Ummmmm.... Now I'm wondering about my fingering everywhere then! Ahhhhhhh!!!!
Also, if anyone wants to save me the time, they could give me what they used for the left hand of that part , and it would be much appreciated.
to play the octave trills with the right hand only -that's grand if you are able to play them well. personally, i think it's an unneccessary stress because who is going to care if you are using one hand or both. also, right after that you get right into more fast arpgeggios. this is a way to save ur hand and relax it. and, you can put more force into each hand without stressing to get the 'con forza.'
plus, that next section (the un poco piu mosso) was the hardest for me to make sound smooth at the time i was playing it. i'd ask ur teacher for their recommendation for lh fingering there, but i have (for my hand size):lh at 'un poco piu mosso': 521, 124, 521, 124, ...then when it consistently goes up 521, 421, 421, 521, 124
how do you guys do the left hand? I thought of 212345234123132 ect., but I'm not sure if, when it's at speed 212345234123452 ect., wouldn't work better. It's more squishy but also more simple. What did you guys use? Pianistimo, what did you teacher recommend there?
In bar 53 onward, does "non legato egualmente" mean something like equally detached?
Does any of this non legato stuff apply to the right hand, or should it be kept as smooth as possible? I'm wondering because I can play it all legato with exception of the repeated notes, but it would be nice to play the melody notes with my thumb each time instead of hitting them with 2 or 3 on my way back up.
Also, what's with the 3 2 fingering on the octaves in the melody on page 2. Why not 51 and 15? You can't make them connected with 23 and 32, and they're slurred?
Just wondering why they would slur them if they don't want them fingered that way?