Claudio Arrau, Walter Gieseking, Rudolf Serkin in plenty of recordings. It is not sexy.
On Arrau's recording of the Liszt Transcendentals, you can hear his nails too.
Helene Grimaud's "Tempest" Sonata, 2nd mvt. It would be funny (reminds me of the monster from the movie "Alien") if it wasn't so distracting, it ruins one of the best performances I've ever heard of that work. I remember hearing Richter inhaling sharply in a recording of Brahms' Ballade in g minor op.118 #3, and at the end of Horowitz' studio recording of "Vers la Flamme" you can hear him let his breath go and the pedal clunk down. These are the instances of breathing on recordings I can think of off the top of my head.
Believe it or not, Alfred Brendel hums in his recordings.This is surprising. I don't even know if Brendull's mind is even switched on when he records.Listen to his performance of the Arietta of Beethoven's sonata no. 32. 6:44 into the piece, at the beat before the entrance of the majestic "boogie-woogie/jazz variation," he lets out a groan. So apparently he's actually reacting to the music, which is very surprising and unusual for him.
I found Lisitsa's breathing fun to hear and interesting on this recording:https://www.valentinalisitsa.com/MP3/ChopinFantasy.mp3Anyone has other examples of recordings on which the perofrmer's breathing is caught so clearly (apart from humming like Gould and some others)?Spotting the sloppiness in the ending of the Fantaisie is obviously off-topic ...PS: Best listening with headphones
In fact, I don't want to open a new topic about it. But how difficult is this Fantasy? I'm now playing His Ballade No3 to give you an idea of my level. After that I would like to learn this one.
Heh, Richter makes a lot of noises in Scriabin Sonata 5. Ashkenazy also tends to make annoying sounds in his later recordings.Also, if you listen to Rachmaninov's Gnomenreigen as carefully as I have, you can actually here him humming along!