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Topic: How to Practice Aiming with Your Pinky  (Read 4019 times)

Offline Airbum88

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How to Practice Aiming with Your Pinky
on: January 08, 2004, 01:35:15 AM
My aim with my pinky is quite terrible in my opinion.  I would often play the wrong notes in a piece with my pinky.

Also when I play scales and broken diminished seventh stuff, coming down, my pinky misses often

What should I do?

Offline steveolongfingers

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Re: How to Practice Aiming with Your Pinky
Reply #1 on: January 08, 2004, 04:01:03 AM
Simply practice slowly until you aquire the strength in your pinky.  Try half speed, quarter speed and then slowly work your way up to what ever you want to play them.  As with most techinque problems they can be fixed by practicing slowly.  

Pinky fingers are usally less developed aswell.....and the only way to fix that well is practice more
Writing about music is like dancing about architecture – it’s a stupid thing to want to do- Frank Zappa

Offline Jemmers

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Re: How to Practice Aiming with Your Pinky
Reply #2 on: January 08, 2004, 03:14:28 PM
.... La campanella, anyone? ;D

Offline erak

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Re: How to Practice Aiming with Your Pinky
Reply #3 on: January 08, 2004, 07:29:41 PM
read above ^^
I have never practiced more of La Campanella than the first variation (first one and a half pages). This as already helped the speed and accuracy of my right hand a LOT.

Offline bernhard

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Re: How to Practice Aiming with Your Pinky
Reply #4 on: January 09, 2004, 01:03:12 AM
Your problem usually stems from concentrating on the fingers. Instead be aware of your upper arm.

Consider this: efficient movement always goes from the centre of the body to the periphery. So, instead of trying to hit a note with your pinky (or any other finger for that matter), use your upper arm to position the fingers. Because the muscles in the arm are so much more powerful than the muscles that move the fingers, it will be much easier, you will never get tired, and you will be unlikely to get injuries. If you hold your arm outstretched in front of you, and move your hand from side to side by using the upper arm, you will immediately see that a tiny effortless movement of the upper arm causes a considerable movement of the hand. Now compare the same movement by using your forearm to initiate it. See how much more effort and range are needed to accomplish the same result.

Most horizontal movement on the piano should start at the upper arm. So your problem is to calibrate the upper arm movements (remember, tiny movements will have huge effects at the hand level) in order to position your fingers accurately. Then you will have to co-ordinate the finger movements with the arm movements. It seems complicated, and it is  - but only to describe and understand. In fact it is fairly simple to do because we are naturally built to work in this way (movement starts at the centre as tiny movements that amplifies to the extremities).

Also bear in mind that these things are very hard to describe properly in writing, and even more difficult to follow from the written account. So find someone who knows about this stuff, and ask him/her to demonstrate and guide you.

Best wishes,
Bernhard.
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. (Hunter Thompson)
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