Try 2 3 2 1 2 3 5 4 2 3 2 1 2 3 4That's what I use anyway.Cheers allthumbs
Hmmm... Am I the only one who like it this way?:132124531321235DL
I actually use 232124532321235......but do what you are most comfortable with.I've never seen that one before.
I do it that way because of tension in the hand. If I use 23212... etc my hand would be pretty still and with the repeated G# and later C# (alternating), tension would build up. It's like playing repeated notes and after the first few hits you just miss the rest. Playing G# with the thumb (followed by A with 3) and then 2 will make my fingers move in a contract-then-expand manner. This constantly changing shape of the hand (contracting and then expanding) actually prevents tension from building up.This is just an extension of the rule to use different fingers on repeated notes. Try playing the repeated notes in Mendelssohn's Scherzo in E minor Op. 16 No. 2 with the same finger and you'll see what I mean.
...(I was using the repeated fingers on the same note). ...
the hardest part about his peice for me is the third chromatic scale, the long one. Whenever i play it in public i always mess that up
how does the fingering on the first RH phrase go?(I mean the 7 notes: G#, A, G#, G, G#, C#, E, D#, C#, D#, C#, B#, C#, E, G#)need your help badly- can't find the exact fingering nowhere! either I find no fingering or partial fingering. really hope you can help
I use 4321 321 321 4321 321 4321 321 4321 321. I can play it faster this way than using the 31321313213131... fingering.TTFN (Ta Ta For Now)dennis lee
You did an error in the notes .. the 5th one isnt a G# but a C#, so in fact you added a G# wich isnt there ...