. I'd like to read your stories
work your way in again. get a job through the uni that you want to study with. i've talked with adults who did that and had very small jobs (bookstore, library, music library, etc) and got their foot in the door again.
zheer, if you want to get somewhere in life - you have to pray.
Why do you ask?
. I felt very depressed after that because I had the feeling she had given up on me as if I was a hopeless case.Self consciousness turns back very slowly after such situations. Knowing that I'm not very good in managing these things I avoid them whenever possible.
How to deal with it ?Get back up from off the ground and play the carp outta the piece next time .
Datz rite...
I simply refuse to perform, that way I don't need to worry about making mistakes or being rejected.When people ask me to play I just tell them that I'm not a performer. I play the piano for my own personal enjoyment only and that's the end of it.
Then after many years i was fired by one of my teachers. Her severest criticism was that she told me I played "like a dead man". She had prepared me for an examination, another audition which i passed successfully too. But as soon as i had passed it, she sent me a letter: She would not teach me anymore, I should search for someone else to teach me. I felt very depressed after that because I had the feeling she had given up on me as if I was a hopeless case.Self consciousness turns back very slowly after such situations. Knowing that I'm not very good in managing these things I avoid them whenever possible.
The only thing that you are at fault for is your charisma and charm .m1469
Okay. I have it all figured out for you and no therapy is needed. She was in love with you and she was either somehow offended by you and reacted, or she couldn't handle her feelings and had to distance herself emotionally and physically. The only thing that you are at fault for is your charisma and charm .m1469
she couldn't handle her feelings and had to distance herself emotionally and physically.
The rejections I have had are on the personal, one musician to another level; rejections of musical friendship and exchange of ideas. There is a curious fact associated with this, in that I have never experienced this type of rejection from players and composers, some very prominent, in other countries. Those in my own country invariably reject me by totally ignoring me and my music.