popular? not that word again. eek. if i was popular more good things would be happening to me. i'd be doing a world tour playing mozart's jenamy concerto (the no. 9 in e -flat) K271
now - if i were to elaborate on that one as i do the bible - i would use these handy notes i find inside the music books of the library. they just 'drop out.' i have this one here - someone obviously used the book like a bible - and used this program as a bookmark.
what's in a name? countless beloved pieces of so-called classical music have a nickname, often one not given by the composer. mozart would have no idea what the jupiter symphony is, beethoven the 'emperor' concerto or 'moonlight' sonata, or schubert the 'unfinished' symphony. (after all - he was intending to finish it wasn't he?). the names sometimes come from savvy publishers who know they can improve sales, or from impresarios, critics, or performers. the case of the concerto we hear today is particularly interesting, and only recently explained. little is known of the genesis or first performance of the e-flat concerto. twentieth century accounts usually stated that mozart composed it for a french keyboard virtuoso named mademoiselle jeunehomme, who visited salzburg in the winter of 1777. nothing else was known, not even the woman's first name.
last year (this article is old - so it's maybe 6-8 years ago), the viennese musicologist michael lorenz, a specialist in the music of mozart's and schubert's time and a brilliant archival dectective, figured out the mystery. the nickname was coined by the french scholars theodore de wyzewa and georges de saint-foix in their classic early-20th-century study of the composer. as lorenz explains, since one of their favorite names for mozart was 'jeune homme' or young man, they presented this person as 'mademoiselle jeunehomme.'
in a september 1778 letter mozart wrote to his father, he referred to three recent concertos, 'one for the jenomy (k 271), litzau (k 246), and one in b-flat (k 238) that he was selling to a publisher. leopold later called the first pianist 'madame genomai.' spellings were often variable and phonetic at the time. lorenz has identified her as victoire jenamy, born in strasbourg in1749 and married to a rich merchant, joseph jenamy, in 1768. victoire was the daughter of the celebrated dancer and choreographer jean georges noverre (1727-1810), who was a good friend of mozart's. he had choreographed a 1772 milan production of mozart's opera lucio silla and later commissioned the ballet les petits riens for paris. although we still know little about victoire jenamy - she does not appear to have been a professional musician, though clearly mozart admired her playing --mozart's first great piano concerto can now rightly be called by it's proper name: 'jenamy.'