Home
Piano Music
Piano Music Library
Audiovisual Study Tool
Search pieces
All composers
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All pieces
Recommended Pieces
PS Editions
Instructive Editions
Recordings
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Student's Corner
»
Arpeggio Fingering
Print
Pages: [
1
]
Go Down
Topic: Arpeggio Fingering
(Read 2031 times)
jam8086
PS Silver Member
Jr. Member
Posts: 92
Arpeggio Fingering
on: November 27, 2006, 03:21:40 AM
In my lesson I played the Bach P&F in E flat from WTC Book 2, and after playing, my teacher looked at how I fingered the downward E flat arpeggio in the first measure (and througout the piece), which I played as (going downward, in LH) 1 2 4 5, and he said that I should play all LH arpeggios/chords that begin with a major third (going up) as 5 3 2 1 and a minor third as 5 4 2 1, because sometimes in pieces you have to play a minor chord (5 4 2 1) to a major chord (5 3 2 1), only changing the third from minor to major and holding all the other notes.
Thoughts?
Logged
sharon_f
PS Silver Member
Sr. Member
Posts: 852
Re: Arpeggio Fingering
Reply #1 on: November 27, 2006, 04:45:46 AM
I'm studying the same P & F and I use the same fingering as you do simply because it is more comfortable.
Logged
There are two means of refuge from the misery of life - music and cats.
Albert Schweitzer
quantum
PS Silver Member
Sr. Member
Posts: 6278
Re: Arpeggio Fingering
Reply #2 on: November 27, 2006, 03:51:15 PM
Fingering should be used in context. Whether you use 3 or 4 in the arpeggio should take into account what comes before and after the arpeggio. Just use what is more comfortable in the piece.
A totally different piece with the same arpeggio may require different fingering because of the context of where the arpeggio is placed.
Logged
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
mad_max2024
PS Silver Member
Sr. Member
Posts: 471
Re: Arpeggio Fingering
Reply #3 on: November 28, 2006, 12:11:34 AM
It also depends on your hands
Try different fingerings and use what's more comfortable for you
Another important thing to consider is that you should play with as little movement as possible otherwise you will run into trouble if you ever have to play the arpeggio at great speed
But I dont think there is a fixed way to play, it always depends on the music and the performer
Logged
I am perfectly normal, it is everyone else who is strange.
pianistimo
PS Silver Member
Sr. Member
Posts: 12142
Re: Arpeggio Fingering
Reply #4 on: November 28, 2006, 12:46:09 AM
in james francis cooke's book (and this isn't a cookbook) - well it is i guess - it says 'when the two outer notes of the arpeggio is a fourth, use the third finger.
so : Eb G Bb and Eb - the last two notes are Bb and Eb and they are a fourth.
#2 when the distance is a third - use the fourth finger in the middle of the arpeggio.
but...i tend to use the fourth finger a lot on the black notes. just easier.
something else i've learned is to not be afraid to pick up as many notes as you can with the right hand - and do a little crossing over whenever possible. it just lightens the load.
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up
For more information about this topic, click search below!
Search on Piano Street