god i hope that was a joke
sorry about the ethiopian comment guys, that was out of line
i have had the...privelage?...of seeing ms wood in concert and it wasn't impressive. she does nothing but programmes of "favourites-" so all of those overplayed pieces you wish people would move on from, she plays nothing else, basically. she started with PACHALBELS CANON.
she didn't get any better, moving on to a terrible rondo alla turka (some sections were repeated three times for no real reason) un sospiro (in which, at the great climax of the piece, she forgot what chords to play) a short "selection" from the grieg concerto, that sounded more like a pop song, that godawful bumbleboogie, and i honestly can't remember anything else she played.
my general reaction was, "that's pretty good...for a trained circus monkey."
i later was able to meet her manager, and fortunately for ali woods sake, i actually think he is to blame for her awfulness. the programs and the "light shows" and the general "classical musicians are stuffy lets make it fun, the only things people will listen to are things they've heard before" attitude is all him, and she follows along because she's young and wants to defer to his experience in the industry. she DOES have talent, and she actually has practiced quite a lot- it's all being squandered under the direction of an idiot who thinks only in marketing terms- which he's kindof good at really, if you look at her successes- to the detriment of any musical aspect of anything.
i actually see the whole affair as a case of the exploitation of the well-intentioned. it's almost child cruelty- he made her practice 8 hours a day since she was 15...when she was in school that meant wake up at 4, practice till 7- school, practice at lunch time, home, practice till 11. she did this because she was being a diligent student, but how can anyone develop musically under this regime?