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Topic: Soler vs. Scarlatti  (Read 2320 times)

Offline soliloquy

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Soler vs. Scarlatti
on: February 09, 2007, 09:05:02 AM
Discuss 8)

Offline webern78

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Re: Soler vs. Scarlatti
Reply #1 on: February 09, 2007, 03:03:52 PM
Scarlatti, by a mile.

Offline rach n bach

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Re: Soler vs. Scarlatti
Reply #2 on: February 09, 2007, 03:23:14 PM
Scarlatti

Scarlatti

Scarlatti

Rachmanninov   ;D
I'm an optimist... but I don't think it's helping...

Offline ahinton

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Re: Soler vs. Scarlatti
Reply #3 on: February 09, 2007, 03:36:13 PM
I believe that "soliloquy" was hoping to initiate a discussion; mere repetition of one of the two composer's names and the introduction of another one outside the thread's terms of reference and then mis-spelling it seems to me to fall rather short of any such "discussion"...

Ah, well...

Best,

Alistair
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline rach n bach

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Re: Soler vs. Scarlatti
Reply #4 on: February 09, 2007, 03:38:48 PM
Allright...

I love Scarlatti... I think that his music is very unique, and better even than Bach's in some cases.  Soler, bah, I've heard several pieces written by him, but for me, he just lacks the muiscal spark that Scarlatti has.

RnB
I'm an optimist... but I don't think it's helping...

Offline iumonito

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Re: Soler vs. Scarlatti
Reply #5 on: February 09, 2007, 04:30:50 PM
I think they are both great.  Soler's Spanish flavor is only marginally more Spanish than Scarlatti's and naturaly the later was a formidable influence on the former.

Soler is bolder in both structure and harmony, although Scarlatti was the true innovator in terms of keyboarding and development of the aesthtic aspirations of the form.

Are Soler's sonatas organized in dyptics like so many of Scarlatti's.
Money does not make happiness, but it can buy you a piano.  :)

Offline burstroman

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Re: Soler vs. Scarlatti
Reply #6 on: February 10, 2007, 03:18:29 AM
I think that Soler is a pleasant alternative to Scarlatti, especially considering his "Spanish" flavor.  He should be played more and is accessible to students of a level not too advanced level.

Offline webern78

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Re: Soler vs. Scarlatti
Reply #7 on: February 10, 2007, 04:02:02 PM
Soler is bolder in both structure and harmony

The problem is that this 'structural' and 'harmonic' boldness isn't the result of a clear artistic aim, he was just trying to stir himself away from his mentor, alas, unsuccessfully.

Most of the times he just rambles around without a clear goal until he goes back at imitating Scarlatti. He may have been a talented musician but didn't have the mark of a creative genius.

Offline mikey6

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Re: Soler vs. Scarlatti
Reply #8 on: February 11, 2007, 12:20:06 AM
The problem is that this 'structural' and 'harmonic' boldness isn't the result of a clear artistic aim, he was just trying to stir himself away from his mentor, alas, unsuccessfully.

Most of the times he just rambles around without a clear goal until he goes back at imitating Scarlatti. He may have been a talented musician but didn't have the mark of a creative genius.


I think I agree after listening to Fandango - unfortunately it was a midi file listed under the mp3, so perhaps a living performer could do more with it, but it got a tad tedious.
Scarlatti was incredibly bold in his harmony, it's full of chromatic clusters, unheard of in his time.
Never look at the trombones. You'll only encourage them.
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Offline Mozartian

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Re: Soler vs. Scarlatti
Reply #9 on: February 11, 2007, 01:09:38 AM
I don't think they really compare that much. Scarlatti is very baroque, Soler is more a bridge into the Classical era (although somewhat similar to Scarlatti in some ways). I'm not a great fan of the Fandango (which, btw, it isn't certain that he wrote), but many of his sonatas are really lovely and deserved to be played more, in my opinion. Very enjoyable pieces. :)
[lau] 10:01 pm: like in 10/4 i think those little slurs everywhere are pointless for the music, but I understand if it was for improving technique
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