The toccata is wonderful.
steven hough is a composer, too?!
i love his works, most notably the 24 preludes, sonata in b flat minor, and toccata (yes, the toccata). he was once called "the british rachmaninoff" by some, so that should give you an idea of how he sounds.
Has anyone heard the recordings of Bowen himself playing his works?
I know I've brought this up with you before, but I doubt it was on this forum- I personally believe that Bowen's concept of harmony was far more advanced than Rachmaninoff- I'd be inclined to call him the British equivalent of Medtner instead. Not to disrespect Rach in any way, of course- I love his music too.
Here's some info on a upcoming release of Bowen's music:https://www.arkivmusic.com/classical/album.jsp?album_id=150851
Before this post, I had never heard nor read of York Bowen. Some York Bowen enthusiast should create MIDI files of some of his public domain works for piano, which could interest others in seeking out sheet music and published recordings.Due to Bowen's life span, his later works would still be under copyright. Copyright restrictions are a major factor in preventing the revival in popularity of composers whose works are only partially in the public domain. This swings the advantage to long-dead composers like MacDowell, whose works are completely in the public domain, making trancribing sheet music into MIDI files legal. Although sequenced MIDI is by its very nature crude, it does give a rough idea of what the music is like, and unless people get some idea of the character of a composer's music, they might have little incentive to investigate further.To put it bluntly, a Google search on "york bowen", "piano", and "MIDI" does not produce much to go on. But "Edward MacDowell", "piano", and "MIDI" calls up my website with its MIDI sequences of 147 MacDowell piano pieces or movements.
Why not just go out and buy (or trade for) one of the variety of CDs of Bowen's music made by great interpreters? Surely THAT would give you a better sense of the music than a MIDI! Phil
the partita in d minor, op. 156 is in five movements: prelude, gavotte, sarabande, minuet, gigue. its your typical baroque suite, but with a late romantic touch to it. it has been recorded by marie-catherine girod. it is a pretty hard recording to come by.
But is Op. 155 in the public domain yet?