Home
Piano Music
Piano Music Library
Audiovisual Study Tool
Search pieces
All composers
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All pieces
Recommended Pieces
PS Editions
Instructive Editions
Recordings
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Repertoire
»
Debussy: Prelude- Les Tierces Alternees
Print
Pages: [
1
]
Go Down
Topic: Debussy: Prelude- Les Tierces Alternees
(Read 1635 times)
dnephi
Sr. Member
Posts: 1859
Debussy: Prelude- Les Tierces Alternees
on: May 08, 2007, 11:45:31 PM
I'd like input from anyone who has played this piece. Would you say that this is a good technical exercise? How do you feel about its musical value?
Thanks,
Dnephi
Logged
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert. (Roughly quoted, Franz Liszt.)
pianistimo
PS Silver Member
Sr. Member
Posts: 12142
Re: Debussy: Prelude- Les Tierces Alternees
Reply #1 on: May 09, 2007, 12:53:30 AM
first of all -i'd like to know exactly what debussy was attempting to express. i see the words 'les tierces alternees' at the very end of the piece. what do those words mean. the three alternates? what is he referring to? staves?
at a first viewing - i would say that debussy is attempting to get the student to sightread notes faster and make mental changes for staves at lightening speed. not to be 'set' on one group or placement at the piano. and - to listen for the types of thirds that one is playing.
debussy was very revolutionary in that he is not making it a particularly difficult piece to play technically - but rather musically. to listen for things that make things 'musical.' also, i think debussy is making a point about fingering. to find the most comfortable one - because no rules exist for this etude particularly - do they? i heard that debussy didn't finger his music.
in terms of musical value - i really couldn't answer that one because i've not attempted to play it and my printer has run out of paper. in just looking at the etude - it makes me think that he has something in mind regarding how playing the piano 'looks' to other people. can you imagine someone playing this piece really fast. it might make you laugh. debussy visualized not just the music itself - but people playing it.
Logged
pianistimo
PS Silver Member
Sr. Member
Posts: 12142
Re: Debussy: Prelude- Les Tierces Alternees
Reply #2 on: May 09, 2007, 01:11:15 AM
another form of 'alternation' may be the fingering itself - going from playing the thirds by using both hands at times for the top and bottom note of several of the paired thirds (as one would play augmented sixths or octaves) - and alternating with playing them separately with both hands. and perhaps a third way - undiscussed.
Logged
mephisto
PS Silver Member
Sr. Member
Posts: 1645
Re: Debussy: Prelude- Les Tierces Alternees
Reply #3 on: May 09, 2007, 05:24:45 AM
He is refeering to thirds, not three. This is the only prelude with a technical title.
Logged
pianistimo
PS Silver Member
Sr. Member
Posts: 12142
Re: Debussy: Prelude- Les Tierces Alternees
Reply #4 on: May 09, 2007, 05:29:25 PM
oh. ok. i get it.
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up
For more information about this topic, click search below!
Search on Piano Street