Hi Elevateme,
Scarbo is one of my favorites, so I always listen to it. I think you play this with a fully-developed concept, a sense of sweep, and wonderful technical bravura when required. You have a full range of dynamic control, create wornderful moments of drama to underscore Bertrand's poem, as well as playing sensuous nuances. I don't know how anyone can play this piece without a few wrong notes. It never affected your concentration or continuity in any way, so don't worry about it. Just reexamine the choreography of those spots when practicing.
You mentioned the poor accoustics (I assume you meant the hall), but I also sensed that the piano was not up to par for this piece--i.e., too mellow, particularly in the bass and lower tenor (a Bosendorfer, perhaps?). Despite that, you play with fine clarity, and, in fact, I heard some inner lines and harmonies that I had never really noticed before. You need to do some refining in a few places, but overall this was a very creditable performance in my opinion, and well received by your audience. Great job!