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Bach - Well Tempered Clavier Book II No. 5 in D (Prelude)
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Topic: Bach - Well Tempered Clavier Book II No. 5 in D (Prelude)
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cardinals
PS Silver Member
Jr. Member
Posts: 55
Bach - Well Tempered Clavier Book II No. 5 in D (Prelude)
on: June 27, 2007, 08:50:11 PM
Still working on Fuga...I'll put it too when ready...
Any comments will be appreciated...
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Bach: Prelude & Fugue BWV 874 in D Major
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quasimodo
PS Silver Member
Sr. Member
Posts: 880
Re: Bach - Well Tempered Clavier Book II No. 5 in D (Prelude)
Reply #1 on: June 28, 2007, 04:48:35 AM
Quote from: cardinals on June 27, 2007, 08:50:11 PM
Still working on Fuga...I'll put it too when ready...
Any comments will be appreciated...
Like it so much!! And I can't wait you post the fugue.
Couldn't you increase the recording volume?
On some spots you're accelerating, that might be a tiny issue to fix.
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" On ne joue pas du piano avec deux mains : on joue avec dix doigts. Chaque doigt doit être une voix qui chante"
Samson François
pet
PS Silver Member
Jr. Member
Posts: 84
Re: Bach - Well Tempered Clavier Book II No. 5 in D (Prelude)
Reply #2 on: June 28, 2007, 02:33:27 PM
I enjoyed listening! Your runs are very clear, and I agree with quasimodo that in some spots you get a tiny bit faster, but it's not a big deal.
What did you use to record? The reason why I ask is I just bought a MP3 Player, and when I try to record, the mic has to be a distance, or else you get that static sound (so annoying) and when I listen to it, it sounds like your recording. I don't have a digital piano like most of the people on this board.
Anyway, great work!
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pianistimo
PS Silver Member
Sr. Member
Posts: 12142
Re: Bach - Well Tempered Clavier Book II No. 5 in D (Prelude)
Reply #3 on: June 28, 2007, 11:24:23 PM
this is full of vitality and life. it's fun to listen to. agreed about a few phrase endings that were like run-on sentences. but, aside from that - wow. really nice! most of the phrasing was really great.
this is mostly a question for bach enthusiasts. should one try to equally terrace dynamics in both directions? say you have the bass going down - and then the treble going up. do you try to use equal crescendos of dynamics or does that give too static of an effect? could one alternate once in a while - making the lh or rh terrace higher at the peak? almost like you are forcing the audience to fly a kite with you - and taking them through one hand and the other - but only one at a time?
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