My, my, so many opinions, so many people who have drunk the Steinway Kool-Aid.
Steinway dealers will tell you themselves that there's a lot of variability, each piano is unique. That's their way of spinning less than perfect manufacturing techniques. And why should they, many Steinways are purchased and never played. Why invest in quality and prep when it won't be appreciated. More Steinways are furniture (as opposed to musical instruments) than any other brand.
I recently went through the piano shopping experience and purchased an Estonia 190. To anyone in a rush to buy a piano let me say you're a fool. I shopped around for the better part of 6 months. I played a Charles Walter 190 (nice piano), I played a grey market Kawai (also nice), I played quite a few Petroffs (some very good, but the 9 footer was a disappointment), I played a Bosendorfer, Mason and Hamlin (both exquisite), I played a Pramberger (good value), I played several Schimmels (very nice pianos) and their less expensive cousin the Vogel (a good value). Other Kawais I played were voiced so mellow that they couldn't jump out of the box, the Pearl River's keyboard just felt cheap. I played a few Steinways, but my local dealer has them in a separate room, one that is plagued by flutter echo. The piano sounded awful.
I can't tell you how many times I heard we can make this piano sound any way you want. It's BS to get you to sign on the dotted line. I've heard from reliable sources that 90% of the sound of a piano is just the way it's made. Think about it. Some pianos have a high tension scale, others lower tension. Some have a duplex scaling, most don't. Some have single stringing, most don't. And then there's the hammer strike point ratio. These are all design issues and that's before you get to quality of materials and workmanship. I'm not a tech so I tell your which pianos have what and what impact that will have on their sound. These are just some of the issues that came up while I was shopping.
So why did I buy an Estonia? For features it has the full Renner action (assembled by Renner with premium blue hammers) and a high tension full duplex scale. It has the thickest rim I saw on any piano. For sound it has a rich bass that can play soft and mellow or loud and growly. The treble is likewise capable of beautiful mellow tones or crashing all around you. The sustain is to die for. The workmanship is impeccable and this piano is beautifully crafted. The bottomline is I found a beautiful (Bubinga) well prepared instrument and signed away. But the important thing is by the time I found it I knew what I wanted and what I didn't want.
I've heard a lot of people say they want a Steinway for the resale value. How dumb is that? If you want to get into the piano selling business that's one thing, but don't buy an instrument because someday you might sell it. I bought my instrument because I don't plan to sell it.