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Topic: 12-tone fugue?  (Read 4066 times)

Offline minor9th

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12-tone fugue?
on: November 01, 2007, 04:39:54 AM
Has anyone composed a 12-tone fugue--not one that simply uses 12 pitches, but a rigorously serial fugue?

Offline counterpoint

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Re: 12-tone fugue?
Reply #1 on: November 01, 2007, 01:50:25 PM
The last movement of Henze's Sonata per Pianoforte is a 12-tone fugue as far as I remember.
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Offline minor9th

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Re: 12-tone fugue?
Reply #2 on: November 03, 2007, 06:25:27 AM
I read that it's atonal but not a strict serial fugue. Thanks, though!

Offline jabbz

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Re: 12-tone fugue?
Reply #3 on: November 03, 2007, 05:33:14 PM
Fugues require a tonal system generally, as the contrast is provided, generally by introducing a new key centre (e.g. the second voice entering in the dominant).

Offline minor9th

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Re: 12-tone fugue?
Reply #4 on: November 03, 2007, 07:58:15 PM
I suppose the tone row could be transposed to the dominant. Overall, though, I imagine creating a fully serial fugue would be quite daunting--not to mention trying to play it!

Offline jabbz

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Re: 12-tone fugue?
Reply #5 on: November 03, 2007, 09:55:34 PM
I agree, extremely daunting. But, to pick up on your comment, does the idea of transposing a serial subject to the domination, or any other tonal interval not undermine the entire concept of serialism?

Offline minor9th

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Re: 12-tone fugue?
Reply #6 on: November 04, 2007, 01:05:53 AM
It would be "conceptually" the dominant just by shifting the row.  Perhaps there's a better word for it. I suppose a serial fugue would not have to follow the classic structure. Oooh...what if each voice entered serially--then we'd have a 12-voice fugue! We've now exceeded Sorabji! Or, perhaps the notion of a serial fugue in inherently contradictory!

Offline counterpoint

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Re: 12-tone fugue?
Reply #7 on: November 04, 2007, 11:09:49 AM
Matching to the general sound of 12 tone music, the second entry should be on the tritone imho  8)
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Offline mcgillcomposer

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Re: 12-tone fugue?
Reply #8 on: November 04, 2007, 11:21:17 AM
Matching to the general sound of 12 tone music, the second entry should be on the tritone imho  8)
Isn't this like saying that the second entry of a tonal fugue should always enter in the dominant? I think there are lots of factors at play - the character of the subject, for example.
Asked if he had ever conducted any Stockhausen,Sir Thomas Beecham replied, "No, but I once trod in some."

Offline counterpoint

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Re: 12-tone fugue?
Reply #9 on: November 04, 2007, 11:37:48 AM
Isn't this like saying that the second entry of a tonal fugue should always enter in the dominant?

Yes, exactly  :D
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Offline mcgillcomposer

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Re: 12-tone fugue?
Reply #10 on: November 04, 2007, 11:40:31 AM
Asked if he had ever conducted any Stockhausen,Sir Thomas Beecham replied, "No, but I once trod in some."

Offline polar_pawz

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Re: 12-tone fugue?
Reply #11 on: November 05, 2007, 09:14:03 PM
There is a 12 tone "fugue" (fugetto? small fugue) in the Variations pour piano by Jacques Hétu (French Canadian Composer) Variation 3 I believe is the fugue...

Offline retrouvailles

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Re: 12-tone fugue?
Reply #12 on: November 05, 2007, 09:22:03 PM
There is a 12 tone "fugue" (fugetto? small fugue) in the Variations pour piano by Jacques Hétu (French Canadian Composer) Variation 3 I believe is the fugue...

I don't think that would qualify as 12 tone. The subject of that fugue is not a tone row. And it isn't strictly serial.
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