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Topic: Internal metronome, How to develop one?  (Read 3034 times)

Offline winningpianist

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Internal metronome, How to develop one?
on: November 11, 2007, 05:22:26 PM
Hi guys,

I had trouble with keeping in time for pieces mainly in the classical period for many years,
whenever I play them without the metronome, I always don't feel my rhythm is secure.
THe Beethoven's Waldstein fist movt I playing now is a good example.

My teacher said I need to build a Internal metronome, or able to hear the "ticks" while I'm playing, How do I achieve that? Please give me some suggestions? I already practice the piece repeatedly with metronome, but when I play it without the metronome, I always feel a bit lost and not secure....Please help! Thanks so much!! :)

CHeers
winningpianist ;)

Offline term

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Re: Internal metronome, How to develop one?
Reply #1 on: November 11, 2007, 05:46:00 PM
Play without metronome until the rhythm is secure.

Your question is like "i can't play the piece. Tell me how i can manage to press all those keys"
=> through actually doing it!

You can help yourself with your foot. What is obviously not suitable for practising to play without metronome, is to use the metronome.  ::)
"Wise men talk because they have something to say; fools talk because they have to say something." - Plato
"The only truth lies in learning to free ourselves from insane passion for the truth" - Eco

Offline winningpianist

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Re: Internal metronome, How to develop one?
Reply #2 on: November 11, 2007, 06:16:55 PM
"Play without metronome until the rhythm is secure"

The problem is I don't even know if I'm playing in time when I play without the metronome.....any suggestions? Thanks!

Offline thierry13

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Re: Internal metronome, How to develop one?
Reply #3 on: November 11, 2007, 07:45:22 PM
Count out loud while you play, it helps, because generally your voice WON'T desync, and then you just have to rely on what you ear, like if it was a metronome ... but it's actually you saying it ...

Offline slobone

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Re: Internal metronome, How to develop one?
Reply #4 on: November 11, 2007, 08:09:07 PM
Sign up to be an accompanist for your local chorus. You'll learn how to keep a steady beat in a hurry...

Offline gerry

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Re: Internal metronome, How to develop one?
Reply #5 on: November 11, 2007, 08:51:54 PM
Where I notice my problem in this area is when I'm trying to negotiate those "music minus one" concertos - I find that when there are long solo piano parts, I tend to arrive ahead of the orchestra entrances (i.e. I speed up). I wish "music minus one" would come into the 21st century and come up with a way to record the orchestra on DVD so you could put a monitor in front of you and watch the conductor - at least try to mimic a real setting. We have the technology, why not.
Durch alle Töne tönet
Im bunten Erdentraum
Ein leiser Ton gezogen
Für den, der heimlich lauschet.

Offline thalberg

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Re: Internal metronome, How to develop one?
Reply #6 on: November 11, 2007, 08:59:30 PM

The rhythm comes from your gut.  You must feel the beat there.  When my students have bad rhythm, I tell them "you're trying to think the beat--don't do that.  Feel the beat."  The beat is not something you hear in your ears or think with your mind.  It's something you feel in your gut.

Offline gerry

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Re: Internal metronome, How to develop one?
Reply #7 on: November 11, 2007, 09:47:14 PM
Oh well, I guess I'll just drink more Keopectate and hope that my gut slows down. ;D
Durch alle Töne tönet
Im bunten Erdentraum
Ein leiser Ton gezogen
Für den, der heimlich lauschet.
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