Her playing is not highly eccentric yet always remains interesting. Attention to details in the score, while still remaining highly creative and artistic. Her readings are not cut and dry literal, but take into account the sonic architecture of the music. She does not allow the piano's limitations to castrate the music - tone, phrasing, and pace borrow qualities from other sources.
Exquisite sense of ornamentation. Repetitive material is treated with a sense of artistry - iterations are not stagnant but rather organically grow.
Her playing lends itself to deep listening. The more you put into the experience the more you see in return.