Home
Piano Music
Piano Music Library
Audiovisual Study Tool
Search pieces
All composers
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All pieces
Recommended Pieces
PS Editions
Instructive Editions
Recordings
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Student's Corner
»
Music Theory
»
Alternate harmonization of hymn tunes
Print
Pages: [
1
]
Go Down
Topic: Alternate harmonization of hymn tunes
(Read 5392 times)
quantum
PS Silver Member
Sr. Member
Posts: 6278
Alternate harmonization of hymn tunes
on: January 12, 2008, 01:58:59 AM
Do any of you have tricks to change up the harmony of a hymn?
Logged
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
m1469
PS Silver Member
Sr. Member
Posts: 6638
Re: Alternate harmonization of hymn tunes
Reply #1 on: January 12, 2008, 02:03:19 AM
Press a different key ?
Logged
"The greatest thing in this world is not so much where we are, but in what direction we are moving" ~Oliver Wendell Holmes
ramseytheii
PS Silver Member
Sr. Member
Posts: 2488
Re: Alternate harmonization of hymn tunes
Reply #2 on: January 12, 2008, 06:32:18 PM
There are different styles, for instance Gospel music will use a lot of diminished seventh, Neapolitan sixth, and secondary dominant chords. In more classical hymns, it is typical to reinterpret them in either more chromatic ways, or for many, you will notice that they can be interpreted as having long stretches either in major or minor, because of the nature of the melody. You can experiment with pedal points, modulating up a step for more intense hymns in the last verses, etc. Find opportunities for chromatic bass lines. Have fun!
Walter Ramsey
Logged
timothy42b
PS Silver Member
Sr. Member
Posts: 3414
Re: Alternate harmonization of hymn tunes
Reply #3 on: January 13, 2008, 07:41:30 PM
Listen to experienced organists. They will generally play verses 1 and 2 nearly as written, verse 3 totally different, and back to the original for 4 but with very different registration. Some change registration on every verse. Sometimes I have one of my children sit on the bench with me with instructions to add stops each line. (I'm not always quick enough.)
It's a little hard to hear this because usually there's one strong tenor in the congregation who's going to sing harmony, and he's not capable of noticing that it no longer fits on verse 3. Try to spot him and sit far away.
Pianists do this as well but I'm not lucky enough to listen to one regularly.
On piano playing all verses the same sounds boring to me, but I don't have the skills to do what I want yet. I'll put the last verse up an octave (right hand) and if I'm playing mostly block chords, I'll alternate between chords and broken chords on different verses.
I've started working on variations in right hand harmonies, different types of locked hand chords. (1-3-8, sevenths, sixths) I haven't used them in church yet but I think there's promise here. Also, adding a walking bass line in octaves on some verses would spice things up.
Logged
Tim
Bob
PS Silver Member
Sr. Member
Posts: 16368
Re: Alternate harmonization of hymn tunes
Reply #4 on: January 13, 2008, 11:38:21 PM
Seventh chords. It worked really well in practice with one so I did it for the performance. It was just prelude/postlude stuff so it didn't mess up anyone who might have singing during it.
It doesn't always work though.
Logged
Favorite new teacher quote -- "You found the only possible wrong answer."
Sign-up to post reply
Print
Pages: [
1
]
Go Up
For more information about this topic, click search below!
Search on Piano Street