Here's a response, on one of my own favorite themes by Xenakis. I'm not sure I quite expressed what I was really looking for in this one,...could someone more educated than me give me some advice?
I think it came out quite well Just a response to your improv
I guess I'll take that as a compliment Congrats on 1k posts BTW.
*resists temptation to get pissed off and start another thread-long argument*It's ok, Derek. I excuse your ignorance. Carry on.
I have tried to express some of the joy this music brings to me.
Retrouvailles since you are (according to your profile) 19 years old, it takes away the credibility that you apparently understand and enjoy those random piano 'pieces'. There is no way a 19 year old would really listen to that.. eh whatever that might be called... or profoundly understand it either for that matter.
...it takes away the credibility that you apparently understand and enjoy those random piano 'pieces'.
As with most threads on here which discuss the realms of Sorabji, Ligeti, Xenakis, Stockhausen, and so on, I am surprised at how much non-tonal music is criticised without substantial reasoning behind the opinion.
But the thing most of the people that don't like Xenakis' music criticize is that the music should be pleasant to listen to.
The other thing criticized is the fact that there are people who say they understand or like certain pieces of music to make others think they're clever or something. ( I can't see why anyone would do that but well, there are always the people who understand everything for the sake of understanding)
Anyways, I managed to found a piece of music that I actually like and I want to share it with you although the most must have already seen this
Poor Derek ... he's ignorant and stupid.I suppose the Prix de Rome judges were too stupid and ignorant to understand Ravel's music as well.
Indeed ... it's like saint-saens giving bad review on Debussy's prelude a l'apres midi d'un faune ... being written with no purpose no reference no language, random notes ... etc. ... even great minds have their weaknesses!
Only this time, the critic is right. All those other men used their own minds and judgement to create something of beauty (Debussy, Ravel, etc.), Xenakis applied artificial theories to create his. By contrast, I'll state again, quantum and others on this website as an example use their own minds and aesthetic judgement of beauty to write music. This is why I oppose stochastic music and any music which over-uses some sort of artificial amusical theory: it invariably produces very boring music. I suppose I can see the "fun" element of it, both on the playing side for the challenge, and on the listening side for the novelty, but, I highly doubt 100 years from now we'll remember Xenakis for his music the same way we remember Ravel for Gaspard de la Nuit.
You mean Saint-Saëns was ignorant and stupid.
So ... if you don't like Xenaxis' music you're ignorant and stupid.If you don't like Debussy, or if you're Saint-Saëns, 'close-minded' will suffice.Thank you for the enlightenment.
Somebody who DOES know something about Xenakis, and does understand it, and says he doesn't like his works can say it and get away with it.
You mean I have to go through all this trouble before I can call someone stupid and ignorant? Ah forget it...
Let me clarify. I thought you had compiled a list of adjectives for people who don't like certain composers' work. That's great because I would want to use appropriate ones as well, mostly to make me look smart! But now it turns out that I'd have to figure out whether the person understand the music. Boy - that's too much work for me. Sorry.
All this is quite pointless after all. Enjoy what you like and let others enjoy what they like. Listen, stay open.
From what I presently understand, even though Cage and Xenakis obviously use their brains to organize their scores and instructions and so forth, they introduce such a large element of non-human musical decision making that their music becomes very boring.
I just want to point out that I've been thinking very hard about these issues for years, I did not blindly commit to these positions.Years ago, I thought I disliked anything that smacked of 20th century style: Stravinsky, Schonberg, Debussy (sort of), and others. Once I heard Keith Jarrett's improvisations, exceedingly dissonant, dark, and frenetic 20th century style music really grew on me, and now I like it a lot. I love quantum's improvisations, and I am totally sincere about that. I've listened broadly. Once someone has done that, I think it is fair for them to form their own opinion.Xenakis bores me. Cage bores me. These men have introduced something other than their own mind into their music. I LOVE, by contrast, Scriabin, including his late sonatas and much of his other late piano pieces. I hear a very obvious presence of a human mind in this music, with something very profound and moving to say. I do not hear this in Xenakis or Cage. I'm sorry if my opinion frustrates any of you but you'll just have to deal with the fact that I've been avidly listening to music for years, and have come to this conclusion after very careful thought, and after having expanded what I listen to gradually over time.
You are obviously pretending that you are liking Scriabin's music. You want to be seen as "cool" among your friends who listen to Scriabin and Debussy and such, by pretending to like music wich is nothing but random notes.. Oh, and you're anti-semitic too....I have been thinking abouit these issues for years.
Yeah, I'm just pretending I like Scriabin's music. I work so hard at convincing people I like it, that I have even hung a poster of Scriabin above my piano. I've even fooled my fiancée that I like it, by putting his music on my wish lists and listening to it frequently. Pretty good, huh? ...