Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Student's Corner
»
Rach Etudes Op.39 no.5 and no.9
Print
Pages: [
1
]
Go Down
Topic: Rach Etudes Op.39 no.5 and no.9
(Read 1352 times)
instromp
PS Silver Member
Sr. Member
Posts: 506
Rach Etudes Op.39 no.5 and no.9
on: February 07, 2009, 05:14:23 AM
I am given the chance to learn one of these beauties, but cannot chose which one is better for me in terms of developing a better technique.I've listened to them numerous times, if someone would care to elaborate a bit on them in terms of technique development would be appreciated. Thanks
Logged
the metranome is my enemy
gerry
PS Silver Member
Sr. Member
Posts: 658
Re: Rach Etudes Op.39 no.5 and no.9
Reply #1 on: February 08, 2009, 12:18:27 AM
Instromp: If indeed you have reached the technical level to tackle either, I'm not sure why you have to ask such a question. First of all, what do you mean by "given the chance to learn"? If you mean that your teacher/coach/professor (whatever) has said that you must choose one or the other and learn it, then the answer to your inquiry lies somewhere in their reason for doing so. Your instructor obviously sees some deficiency in your technique that can be addressed by learning one or the other of these particular Etudes and your question should be directed to him/her.
I admire your concern with approaching these Etudes with the goal of improving your technique and not just to add a crowd-pleasing dazzler to your repertoire. I would suggest that you stop listening to your recordings, carefully read through each piece several times, and make your own decision based on the areas where you feel you need to develop--they should become apparent. These are both works that demand the ability to play forcefully without tensing up. In the spirit of at least offering a response to your question, I feel that of the two, #9, being somewhat more kaleidoscopic, offers the better variety of technical challenges, particularly for the left hand. But please have enough confidence in yourself to make this choice on your own and at least vet the responses based on the fact that no one respnding to your question has any idea of your specific technical needs, etc.
Good luck.
Logged
Durch alle Töne tönet
Im bunten Erdentraum
Ein leiser Ton gezogen
Für den, der heimlich lauschet.
Sign-up to post reply
Print
Pages: [
1
]
Go Up