Ravel
Milhaud
Bernstein
Seiber
...and there must surely have been many more who at one time or another have composed in a way suggestive of having been affected by jazz. Elliott Carter (who knew Gershwin from the latter 1920s - indeed, at the age of 18 he apparently sat next to him at the US première of Wozzeck in 1927) has said that he enjoyed some of the jazz of the time, but little of its influence appears to have found its way into his music, even the works prior to the 1945-46 piano sonata. Occasional published reviews of recordings and performances of my work have included oblique references to jazz, yet I have not been at all conscious of its influence in the contexts concerned...