OK. You start!
Woelfl - Sonata Op.33 Alkan - Nocturne Op.22Friedman/Gartner - Wiener Danze No.2Friedman/Bach - Wachet AufEberl - Sonata in C Op.1Dreyschock - Concert Piece Op.27 (still working)Field - Sonata No.1 Op.1Steibelt - L'OrageStrauss - Stradal - Roses from the South ( i don't think so Thal)Vogler - Marlborough VariationsCzerny - Variations on a theme by HaydnHerz - 3 nocturnesDe Meyer - March Marocaine (this is amusing)Parish Alvars - Piano Concerto in G minor (unfinished)Baines - Poeme (gave up)Anything by Pabst (gave up)Schramm - Grand Fantaisie on God Save the Queen (left hand)Thal [/quote Where the h... do you get that music?! You must live in London. Even New York doesn't carry that! That Schramm sounds wild!
Sorry, screwed up the "quote" bit from the last post. I want to know who or what is your fount of music!
Beethoven - Piano Sonata in E, Op 109 (Currently studying)
Remember, the third variation is legatissimo! not staccatissimo. And some pedal is not amoral.
I think ARTICOLATISSIMO is more in demand here. Certainly not legatissimo.
Stravinsky - 3 movements from 'Petrushka' (Currently studying)
Articolato means articulated. Don't we use that italian word in music?! The notes come out like a machine gun - "non legato". Not staccato though - impossible at that speed. Clear articulated fingers.
ANYWAY... Communist, the Stravinsky is still in it's early stages... I've got most of the articulation and the notes in my head and it's almost steady... at half speed for now (Movements 1 & 3 are *** HARD)... but I'm hoping to do a practice run in June next year and the proper performance will be in September or October 2010. The good thing is that hopefully these piece will be MUCH, MUCH more fluent and professional than my recordings for my Licentiate, since I've been shown how to practice much more effectively by my teacher.
I have not played it (I have contrived doing so) but it looks ****ing hard. Just curious, but which recording are used to? Weissenberg and Pollini IMHO are the greatest.