I have heard of him for his teachin (pupils included Scriabin and Rachmaninoff - at the same time!), but must confess to not having heard or played any of his own works. I have a collection in my pdf collection.
What one are you doing? The P&F?
indeed, something new i learned from that bio, was the influence past some of his students, that is, who some of taneyev's students taught:
"...
Taneyev’s influence on Russian composers was far-reaching. He recognised musicaltalent in the young Prokofiev and recommended that his parents hire Gliere (then Taneyev’s student) as a teacher of theory and composition. Some of his students, such as Nikolai Zhilyaev and Goldenweiser, became respected teachers at the Moscow Conservatoire and taught such figures as Shebalin,
Kabalevsky,
Khachaturian, Lazar Berman, Ilya Ginzburg and
Nikolai Kapustin. Taneyev’s infuences can be heard in the harmonic language of Scriabin’s early piano pieces, in the complex contrapuntal textures of Glazunov’s and Medtner’s piano concertos..."
and it is that command of counterpoint (he was I believe Rachmaninoff and Scriabin's counterpoint instructor at one point ), that scares me half to death of that prelude and fuge. it incredibly complex and just as interesting, but I do not yet have enough control of multiple lines and subtle coloration at the keyboard to have an even decent chance of navigating that thing on my own (I will not have my current piano instructor anymore after a few weeks from now, so I'll be starting with someone else for a while, and we will probably focus some more on the jazz idiom while perhaps working on one or two less demanding standard works).
the piece i'm working on im keeping under 'public' wraps for the time being until a few weeks of work on my end to make sure i make enough satisfactory progress on it to make it a worthwhile project. i'll pm the piece to you and a recording of it i purchased about a year ago when it put it on my watch list.
he is most definately worth exploring.