Er. I'm going to disagree with everyone here so far and say Gnomenreigen is more difficult than the 25-12 assuming you want to play it as fast as I'm sure all the recordings you have of it are; the writing isn't especially suited to the light, feathery sound you'll be assuredly wanting to get from the piece. The Fantasie Impromtu is a student piece; it's much easier than the other two.
pianisten1989: I've never played an etude before, do you think this is a good one to start with?lostinidlewonder: wow the 8 year old plays gnomenreigen better than most other people I've seen play it, the 6 year old is briliant but ye, no kid can put the right amount of emotion into it
Hardest Chopin etude, then Liszt Concert etude, last fantasie. To attain mastery for lightness and clarity in the Liszt is very tricky, but I think the arpeggios in Chopin can post more endurance and accuracy problems for most pianists technique. The Chopin poses more expression problems (it is easy to fall into the trap of playing the arpeggios with little musical value) than the Liszt but it is hard to keep up the energy of the cheeky nature of the Liszt. I think the Fantasie is the hardest to pull off in performance because it is so damn over played.
Saying that.... 6 year olds can play the ocean.But to play the emotion of the ocean, no kid can do it.
After watching that video, would you REALLY say that kid can play op. 25/12? It was so messy and sloppy, it could have been any Chopin Etude he was playing underneath all of that pedal!
It IS the Ocean Etude, and it's very good for a 6 year old.