There is little to be gained except discouragement by attempts at preliminary study by players of less than a virtuoso standard.
[W]hen all the preliminary practice is yielding results, the patterns have been learnt, and the parts are being assembled, be aware that, as the semiquaver patterns succeed each other in either hand, it is the other hand which controls the whole. . . .[T]he tendency with relatively inexperienced players is for the semiquavers to 'take the brunt' and attempt to stagger along under their own steam, rather than being seen as subject to the guiding impetus of the chords in the 'other' hand.
Don't be put off by crusty old Eleanor Ballie!I'm an amateur pianinst working on the last two Op.10 Etudes. I allocated 24 hours of practice over the last two or three weeks on Op.10 No.11 and I'm now at a reasonably satisfactory place where I know my way around the piece. Why don't you allocate 24 hours of practice to Op.10 No.4 and then take stock?
lol at "crusty old Eleanor Ballie"thanks for the encouragement! Are there any recommended exercises (aka awkward finger stuff) that I should do for this Etude?
That depends entirely on what part you find difficult