Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Student's Corner
»
Beethoven Sonata 15 (Pastorale) Andante
Print
Pages: [
1
]
Go Down
Topic: Beethoven Sonata 15 (Pastorale) Andante
(Read 10108 times)
dss62467
PS Silver Member
Full Member
Posts: 195
Beethoven Sonata 15 (Pastorale) Andante
on: March 15, 2010, 09:04:57 PM
I learned this piece last summer and am relearning it now. My skill has improved since then and I am able to hear how I'm playing it... and am not exactly happy. The section I'm referring to is where it changes to D major. My teacher tells me to play it "cute". Seymour Lipkin plays it "cute". I play it like I've got cement fingers! I can't get that light happy tone to it.
Is there a trick to making it sound bouncy and fun? something I should be doing with my wrists? Or should I picture myself chasing butterflies on a sunny day? I'm not much of a butterfly chaser... Doesn't help that I have a tough time finding notes when I'm doing staccato. I tend to jump right over where I need to be.
Logged
Currently learning:
Chopin Prelude Op. 28, no. 15
Schubert Sonata in A Major, D.959: Allegretto
Beethoven: Sonata Op. 28 in D Major
Sign up for a Piano Street membership to download this piano score.
Sign up for FREE! >>
pianot
PS Silver Member
Newbie
Posts: 3
!!
Reply #1 on: September 07, 2010, 10:47:21 PM
I know what you mean by cement fingers. and NO, this is NOT an IMAGINATION issue where your mind is just not picturing the "right" things ... no! the problem is in your hands and fingers and, I guess, in the entire body. Almost no one teaching piano teaches and develops the strength and agility together in the hands and fingers.ad. I did not have any strength or agility well before either, until I started working with exercises by the somewhat odd pianist and composer Lubomyr Melnyk. I heard his remarkable playing, and wrote to him, and got several special exercises that go my mind and fingers working . It took me around 2 months to get the difference to stick in my fingers, and then, after about 4 months, my 4th and 5th fingers were really strong, and everything got so easy then. Piano teachers just do not help in this realm, at least mine didn't, and I am just so glad that I found out about this because now, it takes me a lot less time to handle the Beethoven Sonatas. I also found that doing those exercises got my wrist and arm working better, so that they both HELPED me get force into the keys. Don/t just think about learning a certain passage , you should think about getting your fingers strong and supple because these two things GO TOGETHER! without strength you can NOT be supple, the muscles won/t let you. You feel your fingers like cement because they need to get enlivened!
I think you should contact this guy Melnyk. He seemed very happy to discuss the art of the piano .. he teaches university students who have inferior technique and helps them a lot through his etudes.
Trond W.
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up