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Topic: Adagio vs. Andante  (Read 18806 times)

Offline un_etudiant

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Adagio vs. Andante
on: March 16, 2010, 03:14:07 PM
Dear all:

How would you characterize the difference between an Adagio and an Andante?

Cheers,
John

Offline rsp1

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Re: Adagio vs. Andante
Reply #1 on: March 16, 2010, 03:19:34 PM
From the Dometsch Online Music Dictionary https://www.dolmetsch.com/musictheorydefs.htm
Adagio:  (Spanish m., German n. from adagio (Italian m.), literally 'at ease', 'leisurely') as an indication of tempo, slow, leisurely, solemnly, gnerally slower than andante and faster than largo, langsam (German), gemächlich (German)

Andante:  (English, German, Italian, from andare meaning 'to go') moving along, flowing, at a walking pace, faster than adagio but slower than allegretto
(There is some disagreement among composers as to whether andante is a 'quick' or a 'slow' tempo marking. If andante were a 'fast' tempo marking, andante molto or molto andante would be quicker than andante. However, if andante were a 'slow' tempo marking, andante molto or molto andante would be slower than andante).

Hope this helps

Offline un_etudiant

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Re: Adagio vs. Andante
Reply #2 on: March 16, 2010, 03:23:22 PM
From the Dometsch Online Music Dictionary https://www.dolmetsch.com/musictheorydefs.htm
Adagio:  (Spanish m., German n. from adagio (Italian m.), literally 'at ease', 'leisurely') as an indication of tempo, slow, leisurely, solemnly, gnerally slower than andante and faster than largo, langsam (German), gemächlich (German)

Andante:  (English, German, Italian, from andare meaning 'to go') moving along, flowing, at a walking pace, faster than adagio but slower than allegretto
(There is some disagreement among composers as to whether andante is a 'quick' or a 'slow' tempo marking. If andante were a 'fast' tempo marking, andante molto or molto andante would be quicker than andante. However, if andante were a 'slow' tempo marking, andante molto or molto andante would be slower than andante).

Hope this helps


Thank you, rsp1.  It seems to me that Andante generally has more flow, and therefore, "at ease" is a very apt description.  Of course, some performers play some adagios with a little more forward momentum, whereas other performers might take an Andante at a more leisurely pace than others. 

These definitions are very helpful.  I look forward to reading the opinions of other posters about the qualitative difference between the two tempo indications!

Cheers,
John

Offline slow_concert_pianist

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Re: Adagio vs. Andante
Reply #3 on: March 19, 2010, 05:34:41 AM
andantino versus allegretto always confoose the hell outta me!
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Offline pianisten1989

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Re: Adagio vs. Andante
Reply #4 on: March 19, 2010, 06:05:39 AM
I don't think it's only tempo though. Like Grave: It's not only slow, but very.. kind of painfull.

Andante means walking, right? Then I don't think it should be too much of huge rubato and, but rather straight..

Adagio is probably more rubato-friendly imo. Also kind of like a sailing boat that ran out of wind, but still moving.

This is very un-scientific ideas, but it's how I think. Plzz tell me if I am wrong.

Best

Offline comma

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Re: Adagio vs. Andante
Reply #5 on: March 19, 2010, 07:12:43 AM
A little memory hook for slow_concert_pianist: -ino and -etto are Italian diminutives. That's why allegretto is slower than allegro (a little bit allegro) and larghetto is quicker than largo (a little bit largo).

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Offline alessandro

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Re: Adagio vs. Andante
Reply #6 on: March 19, 2010, 11:54:45 AM
andantino versus allegretto always confoose the hell outta me!


Or 'multo apassionato ma non troppo' is also a very speficic one...

Offline pianisten1989

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Re: Adagio vs. Andante
Reply #7 on: March 19, 2010, 07:26:32 PM
Debussy probably gets the price: A note with both a portato and staccatto, THE SAME NOTE!?! >.<

It's like, play it long, but short...
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