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Beatrice Rana’s “Classiche Forme”
This upcoming summer marks the highly anticipated 10th edition of the Classiche Forme chamber music festival, run by acclaimed pianist Beatrice Rana. As preparations for the milestone anniversary get underway, we now get a fascinating look back at the last edition by guest writer Laurence Vittes from Bachtrack. Read more
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Topic: is fantasie impromptu or chopin nocturne?!?!  (Read 9202 times)

Offline luckee7rbecca

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is fantasie impromptu or chopin nocturne?!?!
on: April 14, 2010, 11:47:54 PM
i just finished noctune op. 9 no. 1 by chopin when should i start fantasie impromptu op. 66 (maybe some spelling mistakes, sorry)
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Offline rmbarbosa

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Re: is fantasie impromptu or chopin nocturne?!?!
Reply #1 on: April 15, 2010, 12:06:09 AM
Fantasie Impromptu is much more dificult than Nocturnes op 9... I dont know your level, I think Fantasie Impromptu must be level 8 or 8+. And, in the beggining, right hand plays 4/4 and left hand 3/4 wich isnt easy... So, if you arent level 8 yet, it will be better for you to wait a little. But only you know what`s your level  :-\
Best wishes
Rui
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Offline luckee7rbecca

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Re: is fantasie impromptu or chopin nocturne?!?!
Reply #2 on: April 15, 2010, 12:31:19 AM
yeah i am in level 8 but i play mostly 7's.....cuz i can enjoy it :) well thank you :D
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Offline sharmayelverton

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Re: is fantasie impromptu or chopin nocturne?!?!
Reply #3 on: April 19, 2010, 09:42:22 PM
C. Chang seems to think that it's not to hard https://www.pianofundamentals.com/book/en/1.II.25.3

I've just been reading his book, Can't play Fantasia Impromptu yet but will be interesting to see if I can improve my technique sufficiently using his advice. I'm gonna give it a try in a couple of weeks after doing some more ground work first. I've been out of serious practice for a while.
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Piano Street Magazine:
How Many Hours Should You Practice the Piano? – The Lines Between Science, Method and Passion
It is a timeless question, a persistent voice in the mind of every pianist: “How many hours must I practice to truly improve?” It springs from a perfectly legitimate desire to measure the commitment required to transform our ambitions into sound, whether that means playing a simple minuet or dreaming of the world’s most prestigious stages. Giulio Cinelli from Pianosolo.it guides us through this classic topic. Read more
 

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