Okay, I have a question. What do you think about doing something like splitting a 2 part invention between voice and a wind instrument (bassoon) ? Is this something the Classical world looks down upon and can only be pulled off in concerts in hippie towns ? What if it were executed *really* well ? Take invention number 8, for example. If I were to sing that soprano line I would have to be in *excellent* vocal shape (which I could totally pull off

) with the jumps and the motion and the range (high C and several high A's and such in the middle of jumps) ... for voice, it's pretty coloratura-oriented stuff ... and going all the way down to the F below middle C, too (which I could also totally do

) -- not just *anybody* could seriously pull that off so that would have to mean *something* to somebody who knows the business. I mean, if I really just nailed it (and if our ensemble were really tight) that would be pretty great, right ?
I'm just not sure how that would be viewed by the Classics

. Thanks for your thoughts !