Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Student's Corner
»
Advanced Piano Experience
Print
Pages: [
1
]
Go Down
Topic: Advanced Piano Experience
(Read 1279 times)
ricenoodles
Newbie
Posts: 1
Advanced Piano Experience
on: July 19, 2010, 06:46:52 AM
I'm currently self-teaching myself how to play the piano, still looking for a teacher here where I live. I have a basic question for the very experienced piano players out there. For those who can play any one level 8 piano pieces, at your current experience, are you able to play the particular piece in a different key effectively and easily? Or would it become a whole new experience in playing the piece? In advanced piano sessions or classes, are students trained to be able to transpose easily at that level? Also, should I put a strong emphasis on transposing every piece that I play, and practice and play them on all keys C/C#/D/D# etc...
Logged
pianist1976
PS Silver Member
Sr. Member
Posts: 506
Re: Advanced Piano Experience
Reply #1 on: July 19, 2010, 08:00:01 AM
Well, I think that the more difficult is a piece, the more difficult is to transport it. Advanced repertoire requires many hours for overcoming and studying the most difficult parts of the pieces. Playing these in another tonality is having to study them from scratch (new digitations, new "orography" of the keyboard, relearn automatisms, not always comfortable in the new tonality because great pianist-composers chose the tonalities very well in order to provide the pianistic solutions and vice versa...).
I've met some people who have a special ability to transport, I have not got it although I can transport, with some effort, very simple pieces but, unless you work with singers, I think it is not a daily required or indispensable skill. Of course, there are methods to improve the transporting skills such as clef readings (all C and F clefs), functional harmonic reading and reduction, very useful in the real working world, as I said, to transpose a reduction of the accompaniment of an aria from Norma. But there's no a common (or useful) need to transport a master piece written for the piano (why transporting Fantasie-impromptu, Mozart A minor sonata or Mephisto Valtz, i.e?).
Just my opinion
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up