Biehl - Just be a little careful with a couple of the semiquaver passages in the right hand, a few just sounded almost in perfect time, but gave me the impression that she wasn't truly controlling her hand properly. Make sure she relaxes her right hand as she does them, so as not to tense up in anyway.
Reizenstein - Make sure that the scale that crosses from RH to LH does not sound disjointed and that the volume sounds smoother. She plays the LH part of the scale softer than the RH (0:35), so try to make it sound like one hand is playing, and don't let the volume dip suddenly.
Milne - What's the dynamic marking of the last D? Sounds odd to have the last few chords nice and forte to end with a very meagre and quite D?
Apart from that - she'll be fine. Hope that helped.
Thank you for taking the time to watch the videos and gave your feedback perfect_pitch

Yes you're right. She needs to watch out for the semiquavers. About the scale crosses from RH to LH, she did the decrescendo too late so it sounds as though her LH made a sudden drop of volume. And for the last D, after the fortissimo chords, yea, it is mezzo-piano. A rather large contrast.
I let her know about these comments and she is taking it into account.
Now she really needs to work on her sight-reading.
How to go about it?!!! I have couple practice books on the subject but she seems to struggle as she's rather scared of doing it...
