Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Student's Corner
»
Help with Chopin Prelude in G Major Op 28 No 3
Print
Pages: [
1
]
Go Down
Topic: Help with Chopin Prelude in G Major Op 28 No 3
(Read 2990 times)
atticus
PS Silver Member
Jr. Member
Posts: 77
Help with Chopin Prelude in G Major Op 28 No 3
on: October 03, 2010, 12:49:08 PM
Hi All,
I'm just beginning to learn Chopin, Prelude in G major (vivace) and I have a few questions:
1) Is this piece supposed to be pedaled throughout or just in certain spots to cover "leaps"?
2) What would be a minimum respectable tempo for this "vivace" piece?
3) Any practice tips on how to meet the "respectable tempo", above?
Any input is appreciated...
Thanks,
atticus
Logged
keyboardclass
PS Silver Member
Sr. Member
Posts: 2009
Re: Help with Chopin Prelude in G Major Op 28 No 3
Reply #1 on: October 03, 2010, 02:22:42 PM
Just pedal the first half of the bar.
Logged
stevebob
PS Silver Member
Sr. Member
Posts: 1133
Re: Help with Chopin Prelude in G Major Op 28 No 3
Reply #2 on: October 03, 2010, 03:58:40 PM
Quote from: keyboardclass on October 03, 2010, 02:22:42 PM
Just pedal the first half of the bar.
I think that’s sensible advice. I don’t know where the “leaps” are that might call for pedal, but I would definitely not propose to use pedal throughout the piece. I don’t believe there’s any reason or purpose for that (or that the effect would even be desirable).
I would suggest 120 to the quarter note as a reasonable goal;. That’s about the minimum I would consider to passably convey
Vivace
here; a slower pace is bound to sound sluggish even if played
leggiero
.
My recommendation for getting up to speed is to refer to
Fundamentals of Piano Practice
by C.C. Chang. (If you’re not familiar with it, just Google it; it’s a free download.) If you’re like most people, you’ll find much of the contents off the wall and choose to disregard what you don’t find useful; however, a specific methodology is presented for learning the motions needed for fast pieces or passages. Look out specifically for the term “Parallel Sets.”
In a nutshell, Chang defines a Parallel Set as a group of notes played within a single hand position (i.e., a small and limited pattern or "handful"). He advises high-speed hands-separate repetition of individual parallel sets (along with the conjunction that joins each to the previous notes and to the following notes) as the most efficient and effective means of mastery—in contradistinction to the traditional and intuitive approach of slow repetitions and raising the tempo incrementally.
Logged
What passes you ain't for you.
Sign-up to post reply
Print
Pages: [
1
]
Go Up