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Topic: The Complete Musician text books  (Read 3572 times)

Offline reubenpeterpaul

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The Complete Musician text books
on: October 27, 2010, 12:07:28 PM
Anybody have any experience with the following text books?
  • The Complete Musician Student Workbook: An Integrated Approach to Tonal Theory, Analysis, and Listening, Volume I
  • The Complete Musician: An Integrated Approach to Tonal Theory, Analysis, and Listening, Volume II

Are they worth purchasing?

Cheers:

Reuben
Reality is merely an illusion, albeit a very persistent one.

Offline alsimon

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Re: The Complete Musician text books
Reply #1 on: June 17, 2012, 06:31:41 PM
bump

Offline faulty_damper

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Re: The Complete Musician text books
Reply #2 on: July 25, 2012, 06:39:10 AM
The Complete Musician, by Steven G. Laitz, was required for my undergraduate theory classes.  It comes in one complete volume.  There are two accompanying workbooks.

The writing is verbose; it's not concise.  This has led to a lot of stopping, re-reading, and more re-reading to understand what the author is talking about.  He could've used a course in writing efficiently.  It was designed to be worked through from the beginning to end using the workbooks for more practice.  The practice is vital to truly learning and understanding the material, like all skill-based activities.

The topics cover diatonic and chromatic theory with numerous examples.  Being able to read a keyboard score is vital.

You will be able to understand harmonic analysis: i - v6 iv6 - V
as well as being able to write chord progressions.

If you are able to work from beginning to end, it may be worth your effort as you'll be able to see harmonic structures in the pieces you play from Bach to Beethoven to Chopin to Scriabin which may make memorizing their works much easier.

Offline alsimon

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Re: The Complete Musician text books
Reply #3 on: October 04, 2012, 10:17:18 AM
The Complete Musician, by Steven G. Laitz, was required for my undergraduate theory classes.  It comes in one complete volume.  There are two accompanying workbooks.

The writing is verbose; it's not concise.  This has led to a lot of stopping, re-reading, and more re-reading to understand what the author is talking about.  He could've used a course in writing efficiently.  It was designed to be worked through from the beginning to end using the workbooks for more practice.  The practice is vital to truly learning and understanding the material, like all skill-based activities.

The topics cover diatonic and chromatic theory with numerous examples.  Being able to read a keyboard score is vital.

You will be able to understand harmonic analysis: i - v6 iv6 - V
as well as being able to write chord progressions.

If you are able to work from beginning to end, it may be worth your effort as you'll be able to see harmonic structures in the pieces you play from Bach to Beethoven to Chopin to Scriabin which may make memorizing their works much easier.


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