Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Performance
»
Janacek- Pedal markings
Print
Pages: [
1
]
Go Down
Topic: Janacek- Pedal markings
(Read 2260 times)
l m a o
PS Silver Member
Newbie
Posts: 3
Janacek- Pedal markings
on: November 06, 2010, 10:25:17 AM
Hi
in Janacek's 'on the overgrown path'- there are two kinds of pedal marking. He is using the regular
Ped
, but sometimes he is writing '
P'
.
What is this pedal sign?
you can check it here
https://imslp.org/wiki/On_the_Overgrown_Path_(Jan%C3%A1%C4%8Dek,_Leo%C5%A1
)
thank you!
Logged
pianowolfi
PS Silver Member
Sr. Member
Posts: 5654
Re: Janacek- Pedal markings
Reply #1 on: November 06, 2010, 10:56:57 AM
In my edition (Supraphon, Prague) there are only P markings, as far as I can see.
There is no difference.
Logged
alessandro
PS Silver Member
Sr. Member
Posts: 293
Re: Janacek- Pedal markings
Reply #2 on: November 07, 2010, 10:07:24 PM
In my edition (Peters' Urtext) also only "P". But pedalling Janacek is apparently some kind of thing. He was more of a folk-music-type-of-man, not very into virtuoso technical piano playing. He wrote more with a "cimbalom"-sound in mind than with a piano-sound. So, maybe there is someone here on this forum that can confirm that cimbalom or another Czech' folk instrument has a more specific technique of pedalling (with more nuance or something else) but I tend to think that that copy on IMSLP is just one with some "incoherence". A quote out of my score "Any technique which contributes to the ideal of an approximation to the sound of the cymbalo is stylistically preferable to an attempt at a traditional piano interpretation..." So you can use these pedal markings as merely indications. And one nice piece of advice of Leos Janacek himself : Every note should be played "as if dipped in blood" and every piece should consist not only of "roses" but also of "thorns".
Kindly.
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up