The first 8 bars which are repeated throughout this movement, have to be played STRICTLY in time. You're playing around too much with the tempo. even before the fermata in the 4th measure, in tempo, and don't make so much of that turn, resolve to the A. Then the next 4 bars, again strictly in time. You always do a retard at the end of the 6th measure. These 8 bars can become quite tedious if you do those rits all the time. Only in the last appearance before the coda does a little rit. at the end sound conclusive.
Then we're off! There's a little bit of the running theme again. I feel it a little bit on the slow side. 126-132. Don't ritard at the end, just before the appearance of the theme. Go FF to the g with a sF to end it off. When you get to the Bflat major episode, make sure you play that piano and pianissimo that precedes the motive, now in Bflat. I don't have measure numbers here, but you know that place where you play high c-sharp and a-sharp, (key of fsharp major) repeated notes? PIANISSIMO! The sforzando that follow are within a mp-mf only a little crescendo that goes to PIANO and THEN a big crescendo to FORTE.
The running 16th notes at the end: piano piano piano - we must hear the motive dying out in the left hand- and NO ritard at the end. It ruins the whole effect of the running 16th notes.
Great work, though.